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Max Cole (American, 1937)
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Max Cole
Arrowhead 2006
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Max Cole
Luna 2006
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Max Cole
Transvaal 2006
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Max Cole
Black Jack 2006
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Max Cole
Exhibition view
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Max Cole
Lao 2001
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Biography |
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1937 |
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Born in Hodgeman County, Kansas |
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She lives and works in Ruby, New York |
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Exhibitions |
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2009 |
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To…A Changing Exhibition of Work by Gallery Artists, Larry Becker Contemporary Art, Philadelphia, Pennsylvania |
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2009 |
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A Bit of America, Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis, Jerry Zeniuk. Vaserely Museum, Budapest, Hungary (cat.) |
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2008 |
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Schmidt Contemporary Art, St. Louis, Missouri (solo) |
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2008 |
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There is Desire Left…. Knock Knock: 40 Years of Fine Arts from the Mondstudi Collection,n Kunstmuseum Bern, Switzerland. Traveled to Wiesbaden Museum, Wiesbaden, Germany (cat.) |
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2008 |
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Gestern War/Heute ist, Museum Gegenstandsfreier Kunst, Otterndorf, Germany (cat.) |
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2007 |
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Paintings from the Autumn . . . Haines Gallery, San Francisco, California (cat.) (solo) |
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2007 |
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The Panza Collection: An Experience of Light and Color, Albright-Knox Museum, Buffalo, New York, (cat.) |
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2007 |
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On redtail pond: paintings from the summer, Galerie Lindner, Vienna, Austria (solo) |
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2007 |
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Maestri del ‘900: da Boccioni a Fontana. La collezione di un raffinato cultore dell’arte moderna, Mart, Rovereto, Italy |
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2006 |
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Thirty-fifth Anniversary Exhibition, Galerie Schlégl, Zürich, Switzerland |
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2006 |
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Touche, Galerie Michael Sturm, Stuttgart, Germany |
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2006 |
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Studio la Città, Verona, Italy (cat.) (solo) |
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2005 |
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Nero Avorio, arte antica e contemporanea a confronto, Museum Casa Juara, Val Chava, Switzerland |
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2005 |
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Minimalism and After IV, Daimler Chrysler Contemporary, Berlin, Germany |
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2005 |
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Je ne regrette rien, Studio la Città, Verona, Italy |
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2005 |
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Museum Chasa Jaura, Val Chava, Switzerland (solo) |
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2005 |
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Edizione straordinaria, Le case d’Arte 1985/2005, Assab One, Milan, Italy |
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2005 |
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La dolce Crisi – Fotografia Italiana Contemporanea, curated by Francesco Bonami, Villa Manin centro d’Arte Contemporanea, Udine, Italy |
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2004 |
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Inaugural Exibition, Kunstraum AlexMuseum Chasa Jaura, Val Chava, Switzerland (solo)ander Burkle, Freiburg, Germany |
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2004 |
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Paintings and Drawings, Haines Gallery, San Francisco, CA (solo) |
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2004 |
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Kolumba, Diozesanmuseum, Cologne, Germany (solo) |
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2004 |
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Galerie Lindner, Vienna, Austria (solo) |
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2004 |
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Toward Infinity, Galerie Schlegl, Zurich, Swiitzerland (solo) |
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2003 |
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Galerie Michael Sturms, Stuttgart, Germany (solo) |
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2003 |
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Inaugural Exhibition, Museum of Modern Art, Rovereto, Italy |
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2003 |
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'Line', Hunsaker – Shlesinger, Los Angeles, CA |
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2002 |
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Le stanze dell’arte, MART, Rovereto, Italy |
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2002 |
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Walter Storms Galerie, München Neuer Kunstverein, Aschaffenburg, Germany (solo) |
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2002 |
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Galerie Walter Storms, Munich, Germany (solo) |
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2002 |
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Neuer Kunstverein Aschaffenburg (with Jean Maboules) Aschaffenburg, Germany (cat.) (solo) |
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2001 |
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Galerie Markus Richter, Berlin, Germany (solo) |
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2001 |
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I-8 Gallery, Reykjavik, Island (solo) |
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2001 |
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Haines Gallery, San Francisco, CA (solo) |
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2001 |
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Figure Astratte, Palazzo Pallavicini Rospigliosi, Rome, Italy (cat.) |
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2000 |
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Galleria Belvedere, Milan, Italy (solo) |
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2000 |
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Haus für Konstruktive und Konkrete Kunst, Zurich, Switzerland (solo) |
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2000 |
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Galerie Michael Sturm, Stuttgart / Studio la Città, Verona (with Julia Mangold) (solo) |
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2000 |
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Studio la Città, Verona, Italy (solo) |
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2000 |
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Art of the 80's and 90's, from Panza di Biumo Collection, American Academy in Rome, Rome, Italy (cat.) |
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1999 |
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Morbida Quiete e la Notte, Studio La Citta, Verona (cat.) |
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1999 |
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Galerie Lüdke, Cologne, Germany (solo) |
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1999 |
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Galerie Schlegl, Zurich, Switzerland (solo) |
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1999 |
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Gudren Spielvogel Gallery and Edition, Munich, Germany (solo) |
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1998 |
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Ad Infinitum, Haines Gallery, San Francisco, CA |
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1998 |
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Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi, India |
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1998 |
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Museum of Modern Art, Otterndorf, Germany (cat.) (solo) |
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1998 |
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Intimate Abstractions, Haines Gallery, San Francisco, CA (solo) |
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1998 |
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Reflections, Galerie Schlégl, Zürich, Switzerland |
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1998 |
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Drawing Exhibition, Galerie Michael Sturm, Stuttgart, Germany |
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1997 |
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Galerie Michael Sturm, Stuttgart, Germany (solo) |
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1996 |
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“Painting,” Haines Gallery, San Francisco, California (solo) |
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1996 |
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Galerie Schlégl, Zürich, Switzerland (solo) |
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1996 |
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Stark Gallery, New York, New York (solo) |
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1996 |
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Galerie Conrads, Dusseldorf, Germany (solo) |
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1994 |
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Kiyo Higashi Gallery, Los Angeles, California (solo) |
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1993 |
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Recent Drawings, Haines Gallery, San Francisco, California (solo) |
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1992 |
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Kunstraum Kassel, Kassel, Germany (solo) |
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1992 |
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Galerie Schoppmann, Dusseldorf, Germany (solo) |
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1991 |
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Kiyo Higashi Gallery, Los Angeles, California (solo) |
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1991 |
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Galerie Schlégl, Zürich, Switzerland (solo) |
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1990 |
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Recent Paintings, Haines Gallery, San Francisco, California (solo) |
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1988 |
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Galerie Helene Grubair, Miami, Florida (solo) |
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1988 |
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Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi, India (cat.) |
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1987 |
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Zabriskie Gallery, New York, New York (solo) |
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1986 |
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Oscarsson-Siegeltuch Gallery, New York, New York (solo) |
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1983 |
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L. A. Louver, Los Angeles, California (solo) |
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1979 |
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Sidney Janis Gallery, New York, New York (solo) |
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1977 |
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Sidney Janis Gallery, New York, New York (solo) |
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1976 |
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Ruth Schaffner Gallery, Los Angeles, California (solo) |
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1972 |
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Comara Gallery, Los Angeles, California (solo) |
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1971 |
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Comara Gallery, Los Angeles, California (solo) |
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1970 |
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Comara Gallery, Los Angeles, California (solo) |
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1963 |
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261 Gallery, Tucson, Arizona (solo) |
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Literature |
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2007 |
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Whiteside, Amber. “ Max Cole and Candace Plummer Gaudiani at Haines Gallery,” Artweek, May Volume 38, Issue 4. |
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2006 |
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Madesani, Angela. “Max Cole,” ArtForum, November 2006. |
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2001 |
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Bonnetti, David. San Francisco Chronicle, April 20, 2001. |
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2001 |
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Van Proyen, Mark. “Max Cole at Haines and 871 Fine Arts,” Art in America, November, p. 156. Bonnetti, David. “Max Cole at Haines,” San Francisco Chronicle, May 3, 2001. |
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2000 |
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Harlow Tighe, Maike Sternberg, Max Cole, Edizioni Charta, Milano, 2000 |
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1999 |
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Ermen, Reinhard. “The Power of Concentration: On the Paintings of Max Cole,” Kunstforum, March-April. |
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1999 |
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Kraft, Martin. “Organic Orders,” review, Handelszeitung, May. |
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1997 |
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Ali Onur, The New York Artist, 'Neue Bildende Kunst', June 1997 |
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1997 |
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Reinhard Ermen, Die Macht der Konzentration: Zu den Bildern der Max Cole, 'Kunstforum', March-April 1997 |
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1996 |
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Reinhard Ermen, Max Cole: Neue Bilder – New Mexico Paintings, 'Kunstforum', May-September 1996 |
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1996 |
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Reinhard Ermen, Freedom is the Twin Sister of Order: Reflections on the Drawings of Max Cole (catalogue of the show, Galerie Schlegl, Zurich) 1996 |
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1994 |
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David Pagel, Hypnotic Dances, 'Los Angeles Times', 6 October 1994 |
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1994 |
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Mario Curajar, Drawn and Flattened, 'Vision', winter 1994 |
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1994 |
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Greene, David A., Art Issues, March-April. |
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1994 |
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Knight, Christopher, “The Highs were High and the Lows were Low,” Los Angeles Times, January. |
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1994 |
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Pagel, David, Los Angeles Times, August 4. |
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1994 |
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Pagel, David, Los Angeles Times, November 18. |
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1993 |
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David Pagel, 'Los Angeles Times', 18 November 1993 |
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1993 |
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Dan Cameron, Immaterial Evidence (catalogue of the show, Museum of Art, University of Arizona) 1993 |
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1992 |
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Melinda Wortz, New Editions, 'Art News', September 1992 |
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1992 |
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Magdalena Broska, Silences: a Series of Etchings by Max Cole (catalogue of the show, Museum Folkwang, Essen) 1992 |
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1992 |
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Kampmann, M. von, “Pulsierende Lineatur,” Soest Auszieger, April |
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1992 |
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Schwarze, Dirk, “HNA Algemeine, “ Kassel, January 16. |
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1992 |
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Stecker, Raimund, “Kassel/Essen: Max Cole,” Kunst Bulletin, Switzerland, April. |
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1991 |
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Crockett, Tobey, “Painting the Town,” Venice Magazine, November. |
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1991 |
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Kimura, Aya, Review, Nikkei Art Magazine, Japan, July. |
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1991 |
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William Hemmerdinger, Max Cole, 'Art Scene', May 1991 |
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1990 |
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Raimund Stecker, You See What You See, But You Don’t Only See What Is (catalogue of the show, Galerie Schroeder, Münchengladbach) 1990 |
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1990 |
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Kimura, Aya, Nikkei Art Magazine, Japan, July. |
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1990 |
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West Deutsche Zeitung, Monchengladbach, Germany, January 30. |
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1990 |
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Rapko, John, “The Drama of Visibility: Max Cole at Haines Gallery,” Artweek, October. |
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1990 |
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Rheinishe, Post, Monchengladbach, Germany, January 30. |
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1988 |
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Ahlander, Leslie Judd, The Miami News, January 22. |
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1988 |
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Allen, Lois, “Visions Exhibition: Inner-Experience Legacy,” The Oregonian, January 20. |
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1988 |
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Cameron, Dan, “In the Realm of the Hyper Abstract”, Arts Magazine, February. |
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1988 |
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Baker, Kenneth, San Francisco Chronicle, February 26. |
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1988 |
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Curtis, Cathy, “The Expressive Gesture,” Los Angeles Magazine, January 16. |
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1988 |
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“Visions of Inner Space,” The Statesman (India), March 12. |
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1988 |
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Jelenfy. “Max Cole”, Rant, San Francisco, May. |
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1987 |
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Dubin, Zan, “Exhibit of 'Just Let it Happen' Works,” Los Angeles Times, December 20. |
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1987 |
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Thompson, Walter, “Max Cole at Zabriskie”, Art in America, November. |
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1987 |
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Brensen, Michael, New York Times, August 28. |
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1986 |
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Brensen, Michael, New York Times, April 25. |
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1986 |
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Cameron, Dan, “In the Realm of the Hyper Abstract,” Arts Magazine, November. |
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1986 |
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Mahoney, Robert, “Absolutes Defined”, Arts Magazine, November. |
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1985 |
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Gleuck, Grace, “Abstract Painters Regain Old Charisma,” New York Times, March 8. |
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1985 |
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Stapen, Nancy, “Taking a New Look at Abstract Painting”, Boston Herald, July 28. |
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1985 |
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Westfall, Stephan, review, Art in America, January |
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1985 |
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Lipson, Karen, “Big Abstractions Form a Varied Lot”, News Day, New York, December 27. |
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1984 |
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Auer, James. “Looking at Art”, review. Milwaukee Journal, November 25. |
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1984 |
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Westfall, Stephan, “Post-War American Purism”, Art Magazine, November. |
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1984 |
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Zimmer, William, “Before and After Look from the Coast”, New York Times, October 30. |
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1980 |
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Muchnic, Suzanne, Art Walk, Los Angeles Times, September 20. |
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1980 |
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Mallinson, Constance, “Music for the Eyes”, Artweek, October 11. |
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1980 |
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Muchnic, Suzanne, “Sidney Janis' Traveling Art Show,” Los Angeles Times, June 16, 1980 |
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