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Tom Sachs (American, 1966)
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Tom Sachs
Dollar Bill 2007
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Tom Sachs
Technics Quartz direct Drive Turntable System SL-1200MK2 2000
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Biography |
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1966 |
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Born in New York |
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1987 |
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Architectural Association, London, England |
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1989 |
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BA, Bennington College, Bennington, Vermont |
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Lives and works in New York |
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Exhibitions |
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2009 |
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Cameras, Aldrich Contemporary Art Museum, Ridgefield, USA |
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2009 |
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Words Are Diamonds, Laleh June Galerie, Basel (group) |
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2008 |
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Bronze Collection, Lever House Collection, New York (solo) |
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2008 |
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Tom Sachs at Trocadero, Place du Trocadero, Paris (solo) |
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2008 |
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Logjam, Rose Art Museum, Brandeis University, Waltham, USA (solo) |
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2008 |
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Animals, Sperone Westwate, USA |
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2008 |
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Lever House Collection, Lever House, New York (solo) |
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2007 |
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Space Program, Gagosian Gallery, Beverly Hills, USA (solo) |
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2007 |
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Logjam, Des Moines Art Centre, Des Moines, USA (solo) |
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2007 |
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Islandia, Galerie Thaddaeus Ropac, Paris (solo) |
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2007 |
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Delicious, Galerie Thaddaeus Ropac, Paris (group) |
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2007 |
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Branded and on Display, Krannert Art Museum, University of Illinois at Urbana- Champaign (group) |
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2006 - 2007 |
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This is America! Contemporary Art and American Photorealism, Centraal Museum, Utrecht, Netherlands (group) |
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2006 - 2007 |
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Lewis Glucksman Gallery, Cork, Ireland, November 2006 – February 2007 (group/cat.) |
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2006 |
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New York, New York: Fifty Years of Art, Architecture, Film, Music, and Video, Grimaldi Forum, Monaco (group) |
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2006 |
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Freeze!, Robilant & Veoena, London, England (solo) |
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2006 |
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Fondazione Prada, Milan, Italy (solo) |
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2006 |
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Survery: America, Lodernism, Fashion, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway (solo) |
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2005 |
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Vanity, Galerie Thaddaeus Ropac, Salzburg (solo) |
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2005 |
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McDonalds, Tomio Koyama Gallery, Tokyo (solo) |
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2005 |
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Dedicated to the Memory of Ben Plummer 1968-2004, Baldwin Gallery, Aspen, USA (solo) |
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2005 |
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Public Sculpture Invitational, Herron School of Art and Design, Indianapolis, USA (group) |
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2005 |
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Die Dritte Dimension, Galerie Haas & Fuchs; Galerie Michael Haas, Berlin (group) |
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2005 |
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Sculpture, The Cartin Collection, Hartford, USA (group) |
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2005 |
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Homestyle, Leo Castelli Gallery, New York (group) |
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2004 - 2005 |
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DESIGN ≠ ART: Functional Objects from Donald Judd to Rachel Whiteread, Cooper Hewitt National Design Museum; Aspen Art Museum, Aspen, USA (group) |
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2004 |
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Sculptural Sphere, Sammlung Goetz, Munich, Germany (group) |
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2004 |
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Connecticut, Sperone Westwater, New York (solo) |
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2003 |
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Disaster, (Featuring Andy Warhol), Galerie Thaddaeus Ropac, Paris (solo) |
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2003 |
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Nutsy's, Deutsche Guggenheim Berlin (solo) |
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2003 |
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New Paintings, Galleria Cardi, Milan, Italy (solo) |
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2003 |
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Holiday Spectacular, Printed Matter, Inc., New York (solo) |
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2003 |
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Lamps, Bitch Lounge & Quarter Screws, A/D Gallery, New York (solo) |
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2003 |
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Perpetual Bliss, Galerie Thaddaeus Ropac, Paris (group) |
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2003 |
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Materials, Metaphors, Narratives: Work by Six Contemporary Artists, Albright-Knox Art Gallery, Buffalo, USA (group) |
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2002 - 2003 |
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Shopping : Art and Consumer Culture, Tate Gallery, Liverpool, England (group) |
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2002 - 2003 |
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NUTSY, Bohen Foundation New York (solo) |
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2002 - 2003 |
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Le Corbusier B Sides, Mario Diacono Gallery, Boston (solo) |
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2002 |
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Shopping : Kunst und Konsumkultur, Schirn Kunsthalle, Frankfurt, Germany (group) |
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2002 |
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Time Space Motion, Galerie Thaddaeus Ropac, Salzburg, Austria (group) |
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2002 |
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Mirroring Evil, Jewish Museum, New York (group) |
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2001 |
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White, Galerie Thaddaeus Ropac, Paris (solo) |
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2001 |
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Selector, Galleria Cardi & Co., Milan, Italy (solo) |
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2000 |
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Big Urinal, Tomio Kayama, Tokyo (solo) |
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2000 |
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Special Project - The Devilʼs Art, Weiden & Kennedy, Tokyo (solo) |
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2000 |
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Knoll International, Wetterling Gallery, Stockholm (solo) |
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2000 |
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Defender, Baldwin Gallery, Aspen (solo) |
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2000 |
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American Bricolage, Sperone Westwater, New York (group) |
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1999 |
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Hedge, Thomas Healy Gallery, New York, (group) |
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1999 |
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Deep, Massimo Audiello (group) |
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1999 |
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Police, Alleged Gallery, New York (group) |
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1999 |
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The Stroke, Exit Art, New York (gruop) |
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1999 |
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Haute Bricolage, Mary Boone Gallery, New York (solo) |
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1999 |
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W.W.J.B.D.. and other Smash Hits, Galerie Thaddaeus Ropac, Salzburg (solo) |
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1999 |
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Stairmaster, Montblanc Factory, Hamburg, Germany (solo) |
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1999 |
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Burn Baby Burn, Montblanc, New York (solo) |
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1999 |
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SITE Santa Fe, Santa Fe, New Mexico (solo/cat.) |
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1999 |
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Tom Sachs, Mario Diacono Gallery, Boston (solo) |
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1999 |
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Creativity is the Enemy, Galerie Thaddaeus Ropac, Paris, (solo/cat.) |
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1999 |
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Readymade Project, Wunderkammer, London (group) |
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1999 |
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Dysfunctional Sculpture, Center Galleries, Detroit, Michigan (group) |
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1999 |
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Stigma, Drill Hall Gallery The Australian Natinoal University, Canberra |
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1998 |
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He Swam Down, Away, Audiello Fine Art, New York, (group) |
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1998 |
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Ensemble Moderne: The Still Life in Contemporary Painting and Sculpture, Galerie Thaddaeus Ropac, Salzburg , Austria, and Paris, France (group/cat.) |
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1998 |
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Bathroom, Thomas Healy Gallery, New York (group) |
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1998 |
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New York, Gallery F15, Moss, Norway (group/cat.) |
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1998 |
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Creativity is the Enemy, Thomas Healy Gallery, New York (solo) |
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1997 |
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Cultural Prosthetics, John Berggruen Gallery, San Francisco (solo) |
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1997 |
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Gramercy International Art Fair Los Angeles, Thomas Healy (solo) |
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1997 |
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Galeria Gian Enzo Sperone, Rome (solo) |
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1997 |
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Milleventi, Milan, Italy (solo) |
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1997 |
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Milleventi, Turin, Italy (solo) |
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1997 |
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Thirty-Third Annual Exhibition of art on Paper, WeatherspoonArt Gallery, University of North Carolina at Greensboro, Greensboro, USA (group/cat.) |
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1997 |
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Summer Group Show, Sperone Westwater, New York (group) |
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1997 |
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Icons: Modern Design and the Haunting Quality of Everyday Objects, San Francisco Museum of Modern Art, San Francisco, USA (group) |
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1997 |
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Road Show ʻ97, Bronwyn Keenan Gallery, New York (group) |
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1997 |
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The Subverted Object, Ubu Gallery, New York (group) |
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1996 |
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American Dreamin, Linda Kirkland Gallery, New York, NY, curated by Heidi Zuckerman (group) |
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1996 |
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On / In/ Through, Morris-Healy Gallery, New York (group) |
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1996 |
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Shred Sled Symposium, Thread Waxing Space, New York (group) |
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1996 |
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Mario Diacono Gallery, Boston, Massachussets (solo) |
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1996 |
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Gramercy International Artfair, Morris-Healy, New York (solo) |
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1995 |
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Cultural Prosthetics, Morris-Healy Gallery, New York (solo) |
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1995 |
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Occupato, Bennett Roberts Fine Art, Los Angeles, USA (group) |
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1995 |
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Inaugural Exhibition, Paul Morris Gallery, New York (group) |
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1995 |
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Asia-Pacific Universe: 30th Artists Today, Yokohama Citzen's Art Gallery Japan |
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1995 |
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NiCAF: Fourth International Contemporary Art Festival, Yokohama, Japan |
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1994 |
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The Bong Show, Alleged Gallery, New York (group) |
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1994 |
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ICFF Windows, Barney ʻs, New York (group) |
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1994 |
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Red Windows, Barney ʻs, New York (group) |
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1994 |
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Kill All Artists, (Public performance), New York (group) |
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1994 |
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Pathetic masterworks, Alleged Gallery, New York (group) |
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1994 |
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Window display - Whitney Museum of American Art, Store Next Door, New York (solo) |
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1993 |
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Watch Me Work, Hollyday performance and exhibition, Allied Cultural Prosthetics, New York (solo) |
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1993 |
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Shopping Cart Furniture window with Dries van Noten, Barney ʻs New York (group) |
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1992 |
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Minimal Tricks, Alleged Gallery, New York (group) |
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1992 |
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10 Steps, Muranishi Lederman, New York (group) |
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1992 |
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Exhibition, Allied Cultural Prosthetics, New York (group) |
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1992 |
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Reference Points, Queensland Art Gallery |
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1991 |
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In the Waiting Room of Ideology: European Works 1990-91, Sherman Galleries Sydney, Australia |
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1991 |
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Denied Access Parking Lot, L.A. East, Los Angeles (group) |
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1990 |
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Australia Perspecta, Art Gallery of New South Wales Sydeny, Australia |
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1985 |
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ICFF, Javitz Center, New York (solo) |
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Literature |
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1998 |
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School ʻs Out, The Art Newspaper, July-August |
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1998 |
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Williams, Yseult Une Oeuvre dʼart sur un plateau, French Elle, September |
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1998 |
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Wilson, Eric, From Monica to O.J., Celebrity Endorsers Can Be Risky Business, Womenʼ s Wear Daily, W Magazine, July 31, 1998 and October 1998 |
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1998 |
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Tom Foolery, Black Book, September, pps. 38-39. |
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1998 |
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Talbot, Stephanie, Rave, Bluprint, September 1998, London |
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1998 |
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Verrico, Lisa, Feeling Flush, The Sunday Times, June 7, 1998, London |
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1998 |
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Lemons, Steven, Are You Looking at Me?, SOMA, May 1998 |
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1998 |
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Shock Treatment, Scotland on Sunday, February 15, 1998 |
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1998 |
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Pedersen, Victoria, Gallery Go Round, Paper Magazine, May, 1998 |
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1998 |
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Keeps, David A., Shot through the Art, Details, May 1998 |
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1998 |
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Davis, Peter, 99 Beautiful People, Paper Magazine, April 1998 |
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1998 |
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Davis, Peter, Backtalk, Hollywood Hip 101, Paper Magazine, February 1998, p.28 |
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1998 |
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Kagan, Dick, Go West, In Chelsea, New Yorks hottest art dealers share streets with auto-body shops, Art and Antiques, January 1998 |
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1997 |
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Gant-Hill, Cathy, The venerable Art on Paper exhibition guets a new curator ʻs Fresh Touch, News and Record, Greensboro, USA |
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1997 |
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Slowey, Anne, The Joy of Sachs, W Magazine, December 1997 |
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