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Artist |
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Michael Andrews |
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Title |
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The cathedral, the North East face/Uluru - Ayers Rock
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Medium |
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acrylic on canvas |
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Size |
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96 x 168 in. / 243.8 x 426.7 cm. |
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Year |
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1985 - |
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Description |
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Michael Andrews (1928-1995)
The Cathedral, The North East Face/Uluru (Ayers Rock)
acrylic on canvas
96 x 168in. (243.8 x 426.7cm.)
Painted in 1985 |
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Sale Of |
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Christie's London: Monday, June 30, 2008
[Lot 19]
Post-War & Contemporary Art Evening Sale
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Estimate |
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*
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Sold For |
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*
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Provenance |
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Anthony d'Offay Gallery, London.
Saatchi Gallery, London.
Astrup Fearnley Museum for Modern Art, Oslo.
Ivor Braka Limited, London.
Acquired from the above by the present owner
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Exhibition |
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London, Anthony d'Offay Gallery, Rock of Ages Cleft for Me, Recent Paintings by Michael Andrews, May-July 1986, no. 2 (illustrated in colour).
London, Whitechapel Art Gallery, Michael Andrews, The Delectable
Mountain, February-March 1991 (illustrated in colour). This
exhibition later travelled to Paris, Fondation Nationale des Arts
Graphiques et Plastiques, June-July 1991; Edinburgh, Scottish National Gallery of Modern Art, August-September 1991 and New York, New York
University, Grey Art Gallery and Study Center, January-February 1992.
Oslo, Astrup Fearney Museum for Modern Art, Double Reality, The
School of London, April-October 1994, no. 3 (illustrated in colour,
p. 50).
Edinburgh, Scottish National Gallery of Modern Art, British Council, From London, July-September 1995, no. 40 (illustrated in colour, unpaged). This exhibition later travelled to Luxembourg, Musée National d'Histoire et d'Art, September-November 1995; Lausanne, Musée Cantonal des Beaux-Arts, November 1995-January 1996 and Barcelona, Fundacio Caixa de Catalunya, February-April 1996.
London, Tate Britain, Michael Andrews, July-October 2001, no. 78 (illustrated in colour, p. 136)
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Literature |
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A. Hicks, The School of London, The Resurgence of Contemporary Painting, Oxford 1989, pl. 29 (illustrated in colour, p. 53).
A. Hicks, New British Art in the Saatchi Collection, London 1989, pl. 2 (illustrated in colour, p. 24)
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