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1964
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Born in Aylesbury, England
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1983 - 1984
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Hertfordshire College of Art
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1984 - 1987
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Goldsmiths College, University of London, B.A.
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1998
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Paul Cassirer Award, Berlin
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2002
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Turner Prize nomination, London
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Lives and works in London and New York
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2007 |
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The Commune Itself Becomes a Super State, Corvi-Mora, London (solo) |
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2007 |
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Weekend in So Show, The Lab at Belmar, Lakewood/CO (solo) |
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2007 |
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Modelle für Morgen: Köln, European Kunsthalle, Cologne (and other stations) |
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2006 |
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Classical: Modern I, DaimlerChrysler Contemporary, Berlin |
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2006 |
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Intouchable: L’Idéal Transparence, Villa Arson, Nice |
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2006 |
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Undisciplined: 3rd Biennale of Ceramics in Contemporary Art, Albisola |
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2006 |
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Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen |
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2006 |
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Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, Munich |
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2006 |
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Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz |
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2006 |
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Kristallisationen: 10 Künstler für Theresienthal, Andreas Murkudis Temporary, Munich |
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2006 |
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Projekt Projektion, Kunstmuseum Luzern, Luzern |
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2006 |
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Grey Flags, The Sculpture Center, New York |
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2006 |
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Ordnung und Verführung, Haus Konstruktiv, Zurich |
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2006 |
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Tate Triennial, Tate Britain, London |
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2006 |
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L´Exposition Qui N´Existe Pas, MAMCO, Geneva |
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2006 |
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Minimalism and After IV: Neuerwerbungen, DaimlerChrysler Contemporary, Berlin |
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2006 |
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The Party, Casey Kaplan, New York |
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2006 |
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Supernova, Contemporary Art Centre, Vilnius |
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2006 |
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How to improve the world, Hayward Gallery, London |
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2006 |
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Grey Flags, CAPC, Bordeaux |
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2006 |
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Eye On Europe: Prints, Books & Multiples/1960 to Now, Museum of Modern Art, New York |
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2006 |
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If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam |
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2006 |
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Saigon: Open City, Saigon |
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2006 |
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All Hawaii Entrees / Lunar Reggae, Irish Museum of Modern Art, Dublin |
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2006 |
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The State Itself Becomes A Super Commune, Esther Schipper, Berlin (solo) |
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2006 |
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Literally Based On H.Z., Kerlin Gallery, Dublin (solo) |
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2006 |
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We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London (solo) |
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2006 |
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Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zurich (solo) |
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2006 |
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Edgar Schmitz, ICA, London (solo) |
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2006 |
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Bühne des Lebens, Kunstbau, Lenbachhaus, Munich |
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2006 |
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100 Artists See God, Cheekwood Museum of Art, cur. by John Baldessari & Meg Cranston, Cheekwood |
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2005 |
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Gopius-Bau, Rundlederwelten, Berlin |
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2005 |
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K21, Ambiance, Düsseldorf |
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2005 |
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Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens (solo) |
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2005 |
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Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid (solo) |
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2005 |
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As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York (solo) |
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2005 |
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Fabriken im Schnee..., Galerie Meyer Kainer, Vienna (solo) |
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2005 |
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M/M (Paris), Frankfurter Kunstverein, Frankfurt (solo) |
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2005 |
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The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich (solo) |
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2005 |
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Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris (solo) |
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2005 |
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McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (solo) |
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2005 |
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Presentism, Corvi-Mora, London (solo) |
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2005 |
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Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee (solo) |
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2005 |
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Another 2004 Again, Baltimore Museum Of Art, Baltimore (solo) |
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2005 |
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Reception, Büro Friedrich, Berlin |
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2005 |
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Passion Beyond Reason, Wallstreet One Gallery, Berlin |
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2005 |
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Thank You for the Music, Sprüth Magers, Munich |
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2005 |
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Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig |
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2005 |
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Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière |
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2005 |
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Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Turin |
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2004 |
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Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York |
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2004 |
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Specific Objects, Galerie Mehdi Chouakri, Berlin |
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2004 |
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Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon |
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2004 |
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Construccion de Uno, Galeria Javier Lopez, Madrid (solo) |
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2004 |
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A Group of People, Air de Paris, Paris (solo) |
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2004 |
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Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen (solo) |
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2004 |
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Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (solo) |
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2004 |
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(Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund (solo) |
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2003 |
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Hills and trays and..., Schipper & Krome, Berlin (solo) |
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2003 |
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...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin (solo) |
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2003 |
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Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin |
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2003 |
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Re-Produktion 2, Georg Kargl, Vienna |
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2003 |
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Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich |
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2002 |
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Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris |
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2002 |
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Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo |
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2002 |
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The Wood Way, Whitechapel Art Gallery, London (solo) |
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2002 |
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Light Technique, Galerie Meyer Kainer, Vienna (solo) |
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2001 |
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Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich (solo) |
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2001 |
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Liam Gillick, Galeria Javier Lopez, Madrid (solo) |
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2001 |
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Century City, Tate Modern, London |
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2001 |
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Demonstration Room: Ideal House, Apex Art, New York |
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2000 |
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Continuum 001, CCA, Glasgow |
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2000 |
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Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar |
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2000 |
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Liam Gillick, Galleri Charlotte Lund, Stockholm (solo) |
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2000 |
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Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin (solo) |
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1999 |
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Liam Gillick, Kunsthaus Glarus, Glarus (solo) |
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1999 |
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Playtimes, Centre National d' Art Contemporain de Grenoble, Grenoble |
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1999 |
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Oldnewtown, Casey Kaplan, New York |
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1998 |
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Fast Forward, Kunstverein in Hamburg, Hamburg |
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1998 |
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Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna |
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1998 |
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Liam Gillick, Kunstverein in Hamburg, Hamburg (solo) |
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1997 |
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Discussion Island, Basilico Fine Arts, New York (solo) |
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1997 |
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Life/ live, Centro Cultural de Belém, Lisbon |
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1996 |
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Co-operators, Southampton City Art Gallery, Southampton |
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1996 |
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Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin (solo) |
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1994 |
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McNamara, Schipper & Krome, Cologne (solo) |
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1991 |
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Documents, (with Henry Bond), Gio’ Marconi, Milan (solo) |
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2007 |
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Liam Gillick: Proxemics, Selected Writings (1988-2006), JRP Ringier, Zürich |
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2006 |
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The Metaphor Problem Again: A Conversation Between John Baldessari, Lawrence Weiner, and Liam Gillick, ed. Beatrix Ruf, Springer Verlag, Vienna |
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2006 |
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Between Artists, Liam Gillick Lawrence Wiener, A.R.T. Press, Canada |
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2006 |
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de Brugerolle, Marie, „Liam Gillick“, Flash Art No. 246, January-February 2006, pict. p. 110 |
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2006 |
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Glover, Michael, „Best of British Lights up the Tate“, The Times, Feb. 25. |
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2006 |
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Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, pp. 62-65 |
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2006 |
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Site 9/1, a hausammeer production, September 2006, pp. 34-37 |
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2006 |
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Broken Surface, Sabine Knust Matthias Kunz Editions, München, 2006, pict. pp. 14-16 |
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2005 |
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Magasin 1986 – 2006, ed. Yves Aupetitallot, JPRlRingier, Zürich, 2005, pp. 136-145 |
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2005 |
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Version 0.6, Colouring Book, onestarpress, 2005, p. 25 |
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2005 |
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Art at 30 St Mary Axe, Swiss Reinsurance Company, Zurich, pp. 23 - 29 |
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2005 |
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Go Between, Bregenzer Kunstverein Magazin 4, Bregenz, p. 86-93 |
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2005 |
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Place, T. Dean & J. Millar, Thames & Hudson, London, 2005, pp. 34-35 |
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2005 |
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EVN 95-05, MUMOK, Vienna, 2005, pict. p 113 |
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2002 |
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Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003, pp. 22, 52-55, 73 |
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2002 |
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Metronome 8b.
The Queel, London |
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2002 |
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100 Reviews
London: Alberta Press |
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2002 |
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Magazin 6
Salzburger Kunstverein, Salzburg |
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2002 |
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The Producers: Contemporary Curators in Conversation
Baltic Centre, Gateshead |
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2002 |
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The Wood Way
Whitechapel Art Gallery, London |
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2002 |
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Conceptual Art
London: Phaidon |
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2002 |
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Art Since 1960
London: Thames & Hudson |
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2002 |
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EVN Sammlung. Ankäufe 2000-2002
EVN AG, Vienna |
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2001 |
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Century City
Tate, London |
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2001 |
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Museen ohne Zukunft
MAK, Vienna |
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2001 |
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Mutations
Centre d'Architecture, Bordeaux |
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2001 |
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Histoire de coeur: collection Michel Poitevin
Fondation Guerlain, Les Mesnuls |
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2001 |
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After Work
cat. 4th Werkleitz Biennale, Tornitz |
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2001 |
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2nd Berlin Biennale
Berlin |
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2001 |
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Annlee You Proposes
Tate Britain, London |
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2001 |
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Everything Can be Different
ICI, New York |
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2001 |
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Neue Kunstkritik
New York: Lukas & Sternberg |
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2001 |
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Yokohama Triennale 2001
Yokohama |
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2000 |
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29th International Film Festival
Rotterdam |
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2000 |
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Liam Gillick
Oktagon Verlag, Cologne |
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2000 |
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British Art Show 5
Touring Exhibition, Edinburgh |
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2000 |
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What If
Moderna Museet, Stockholm |
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2000 |
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Intelligence
Tate Gallery, London |
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2000 |
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Protest and Survive
Whitechapel Gallery, London |
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2000 |
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Renovation Filter: recent past and near future
Arnolfini, Bristol |
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2000 |
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Fresh Cream
London: Phaidon |
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1999 |
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UK Maximum Diversity
Galerie Krinzinger, Wien |
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1999 |
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Weather Everything
Galerie für Zeitgenössische Kunst, Leipzig, Cantz |
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1999 |
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Independent Spaces
Genf, JRP éditions |
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1999 |
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Art at the Turn of the Millennium
Burkhard Riemschneider, Uta Grosenick (Hg.), Köln |
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1999 |
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Seven Wonders of the World
London, Book Works 1999 |
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1999 |
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Designs for a four storey building
New York, Open City |
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1999 |
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La Capitale
Sete, Centre regionale d'art contemporain |
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1999 |
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The Space Here is Everywhere
Villa Merkel, Esslingen |
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1998 |
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Hospital, Sarah Morris
Galerie Max Hetzler, Berlin |
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1998 |
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Artist/Author: Contemporary Artist's Books
(ed. Cornelia Lauf/Clive Phillpot) New York, American Federation |
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1998 |
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McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios
Deutsche Übersetzung des Consortiums Kataloges, ed. Kunstverein in Hamburg |
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1998 |
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Enter: KünstlerInnen, Publikum und Institution
Hrsg. Barbara Steiner, Kunstmuseum, Luzern |
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1998 |
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Art from Britain
Hamburg, Sammlung Goetz |
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1998 |
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Interactive An Exhibition of Contemporary British Sculpture
London, Amerada Hess |
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1998 |
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L'île de discussion/le grand centre de conférence
Nice/Dijon, Villa Arson/Les presses du réel |
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1998 |
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Mise en Scène
Grazer Kunstverein, Graz |
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1998 |
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Minimal-Maximal
Neues Museum Weserburg, Bremen |
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1998 |
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X Mal Documenta X
Kunsthochschule der Universität, Gesamthochschule, Kassel |
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1998 |
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Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno
Paris, ARC, Musee d'art moderne de la Ville de Paris |
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1998 |
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Cream
London, Phaidon Press |
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1998 |
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Eric Troncy
Paris, Les presses du réel |
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1998 |
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Absurd
Self Service, Paris |
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1998 |
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Dijon/Le Consortium.coll
Dijon/Paris, Les presses du réel/Centre Georges Pompidou |
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1998 |
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Ein Rückblick aus dem Jahre 2000 auf 1887
Eduard Bellamy, Leipzig |
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1998 |
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Zing Magazine
Volume 2, Fall |
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1998 |
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Øjeblikket
The Meaning of Site,Copenhagen |
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1998 |
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Innerscapes
(edited by Maurizio Pellegrin), Trieste, Contemporanea |
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1997 |
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Des Livres d'Artistes
L'Ecole d'Art de Grenoble, Grenoble |
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1997 |
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Ajar
Oslo, Galleri F15 |
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1997 |
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Enter: Audience, Artsist, Institution
Kunstmuseum, Luzern |
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1997 |
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documenta X, Politics and Poetics
Kassel, Cantz |
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1997 |
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Unbuilt Worlds: Unrealised Artists Projects
Münster, Cantz |
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1997 |
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Erasme est en retard (translated by Philippe Parreno)
Dijon, Les Presses du Réel |
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1997 |
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McNamara Papers, Erasmus and Ibuka! realisations The What If ? Scenarios
Dijon Les Presses du Réel |
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