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Carlos Garaicoa Biography
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1989 - 1994
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Studies at the Institute of Fine Arts of Cuba
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2009 |
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Carlos Garaicoa : La enmienda que hay en mí. Museum of Fine Arts, Havana, Cuba |
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2009 |
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The Observatory, Expo and presentation of the Public work for the City of Castleford, Art Council, the City of Castleford and the Yorkshire Sculpture Park |
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2009 |
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Carlos Garaicoa, Colateral 10 Bienal de La Habana |
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2009 |
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Carlos Garaicoa, Galería Luisa Strina, Sao Pablo, Brasil |
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2009 |
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Carlos Garaicoa, La Caja Negra, Madrid |
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2009 |
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Paço das Artes e o MIS de São Paulo, Brazil |
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2009 |
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Videos in the Street Project , Murcia, Spain |
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2009 |
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53 Venice Biennale, Artiglerie, Italy |
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2009 |
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Cartografías Disidentes, Oi Futuro, Río de Janeiro |
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2009 |
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Cartografías Disidentes, Museo de Arte Contemporáneo, Caracas, Venezuela |
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2009 |
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Cartografías Disidentes, Centro Cultural de España, Mexico |
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2008 |
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The Cisneros Fontanals Art Foundation, Art Basel Miami Beach |
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2008 |
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Cartografías Disidentes (itinerancia), Centro Cultural de São Paulo, Brazil |
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2008 |
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Farewell to Post-Colonialism, Third Guangzhou Triennial, 2008, Guangdong Museum of art, CHINA |
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2008 |
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Lança Cuba, Gentil Carioca, Río de Janeiro, Brasil |
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2008 |
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La Caixa Cultural, Rio de Janeiro, Brazil |
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2008 |
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Revolucion o Rizoma, Galleria Continua, Beijing, China |
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2007 |
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Latin Kings Music Vol. I-V, Elba Benitez Gallery, Madrid |
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2007 |
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Capablanca’s Real Passion, Institute of Contemporary Art, Philadelphia, PA |
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2006 |
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Carlos Garaicoa, Lombard-Freid Projects, New York (solo) |
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2005 |
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Capablanca’s Real Passion. Museum of Contemporary Art, Los Angeles, CA 2005, Royal Ontario Museum, Toronto, Canada 2006, ICA, Philadelphia 2007
Carlos Garaicoa. Mass Moca, North Adams, MA (solo)
Self-flagellation, survival, insubordination. Aspen Art Museum, Aspen, CO (solo)
Inverting the Map: Latin American Art from the Tate Collection, Tate Museum Liverpool, Liverpool, UK
Beyond Delirious: Architecture in Selected Photographs from the Ella Fontanals Cisneros Collection, Curated by Christopher Philips, Miami,FL
Farsities: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, San Diego Museum of Art, San Diego, CA
New Photography Series XV, Museum of Modern Art, New York, NY
51st Venice Bienniale, Venice, Italy
Fantasmapolis, La Ville Contemporaine Et Ses Imaginaires, Galerie Art & Essai, Rennes, France
Dialectics of Hope, Moscow Biennale |
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2004 |
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The measure of almost everything. Palazzo delle Papesse, Siena, Italy (solo) |
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2003 |
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Self-flagellation, survival, insubordination. La Caixa Foundation, Sala Montcada, Barcelona, Spain
La Habitacion de mi Negatividad, Galeria La Casona, Havana, Cuba (solo)
Lecciones de Historia. Casa de America, Madrid, Spain (solo) |
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2002 |
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Documenta11, Platform 5, Kassel, Germany |
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2001 |
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Because Every City Has the Right To Be Called Utopia. Lombard- Freid Fine Arts, New York, NY
Carlos Garaicoa: The Ruin; The Utopia, (Works 1990-2000). Alejandro Otero Museum,Caracas. Venezuela (solo) |
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2005 |
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Pagel, David. “When multi-this and multi-that lacks newness.” Los Angeles Times 14 Mar 2005
“Turning artwork into border issue.” Los Angeles Times 14 Sept 2005
Spiegler, Marc. “City Lights.” ARTnews Mar 2005: 96-99.
Wallach, Amei, “Below the Surface: Daydreams of Havana, and Other Cities, Too.” New York Times 19 May 2005. |
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2003 |
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Rosen, Miriam. Review of “Maison Europeenne de la Photographie.” Artforum Summer 2003 |
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2002 |
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Cembalest, Robin. “The Cuban Revolution.” ARTnews Mar 2002. |
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2001 |
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Cotter, Holland. “Photographic Stylists of the Epic and the Surreal.” The New York Times 7 Sept 2001 |
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1994 |
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Cameron, Dan. “Cuba: Still not Free.” Art and Auction Mar 1994: 86-91 |
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