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1966
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Born in Ontario, Canada
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1985 - 1988
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Goldsmiths College, University of London, B.A. (Hons.) Fine Art
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1989
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Whitechapel Artists’ Award
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1994
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Two months artist residency, ARCUS-project, Moriya, Japan
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2002
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ASEF (Asia-Europe Foundation) Cultural Gran
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2001 - 2003
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Guest professorship of Sculpture, Akademie für Bildende Künste, Vienna
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Lives and works in London and Berlin
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2009 |
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Galerie Kreo, Paris (solo) |
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2009 |
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Air de Paris, Paris (solo) |
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2009 |
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Galeria Helga de Alvear, Madrid (solo) |
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2009 |
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Christina Guerra Contemporary, Lisbon (solo) |
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2008 |
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Galerie Eva Presenhuber, V, Zürich (solo) |
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2008 |
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Gallery Shugo Satami, Tokyo (solo) |
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2008 |
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Städtische Galerie im Lenbachhaus / Kunstbau, 'The Space That Time Forgot, Munich (solo) |
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2008 |
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Museum of Modern Art, Color Chart, New York (group) |
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2008 |
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Mori Art Museum, 'Turner Prize: A Retrospective, Tokyo (group) |
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2008 |
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Museum Tinguely, Kunstmaschinen. Maschinenkunst, Basel (group) |
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2008 |
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FRAC Poitou-Charentes, Pièces à vivre, Angoulême, France (group) |
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2008 |
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Kunstmuseum Luzern, Blasted Allegories. Works from the Ringier Collection, Luzern (group) |
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2008 |
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Solomon R. Guggenheim Museum, Anyspacewhatsoever, New York (group) |
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2008 |
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San Diego Museum of Art, San Diego (group) |
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2007 |
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The Suspended Moment, Z33, Hasselt, Belgium |
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2007 |
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Klang im Bild, Opelvillen, Rüsselsheim, Germany |
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2007 |
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Repeat Refrain, Enel Contemporanea/ Museo dell’ Ara Pacis, Rome, Italy (solo) |
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2007 |
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Are you coming or going, around?, Esther Schipper, Berlin, Germany (solo) |
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2006 |
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We Are Medi(eval) (with Liam Gillick), Cubitt Artists, London, UK |
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2006 |
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Yuko Gothic Grid, Micheline Szwajcer, Antwerp, Belgium |
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2006 |
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From Damien Hirst’s Murderme Collection: In the Darkest Hour there will be Light, Serpentine Gallery, London, UK |
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2006 |
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Bewegung im Quadrat: Das Quadrat in Malerei, Kinetischer Kunst und Animation, Museum Ritter, Waldenbuch, Germany |
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2006 |
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Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin, Germany |
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2006 |
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Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen, Germany |
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2006 |
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Collection Helga de Alvear, Centro Cultural de Belem, Lisboa, Portugal |
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2006 |
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Tate Triennial, Tate Britain, London, Uk |
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2006 |
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Backdrop, Bloomberg Space, London, UK |
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2006 |
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Tate Britain, Tate Triennial, London, UK |
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2006 |
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Witte de With, Satellite of Love, Rotterdam, Netherlands |
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2006 |
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The Power Plant. Contemporary Art Gallery, Toronto, Canada (solo) |
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2006 |
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De Pont, Tilburg, Netherlands (solo) |
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2005 |
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Modern Art Oxford, Oxford, UK (solo) |
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2005 |
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Secession, To the Power of 4, Vienna, Italy (solo) |
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2005 |
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Le Consortium, Dijon, France (solo) |
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2005 |
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The missing 13th, Galeria Helga de Alvear, Madrid, Spain (solo) |
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2005 |
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Lichtkunst aus Kunstlicht, Museum für Neue Kunst Karlsruhe, Karlsruhe, Germany |
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2005 |
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Ambiance – Auf beiden Seiten des Rheins, K 21, Kunstsammlung im Ständehaus, Düsseldorf, Germany |
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2005 |
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Preis der Freunde der Nationalgalerie, Hamburger Bahnhof, Berlin, Germany |
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2005 |
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EN/OF 001-030, Museum Kurhaus, Kleve, Germany |
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2005 |
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Valencia Biennial, Valencia, Spain |
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2005 |
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Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, U.S.A. |
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2005 |
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Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy |
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2004 |
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Funny Cuts – Cartoons und Comics in der zeitgenössischen Kunst, Staatsgalerie, Stuttgart, Germany |
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2004 |
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Engholm Engelhorn Galerie, Vienna, Italy (solo) |
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2004 |
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Galerie Eva Presenhuber, Antimatter3, Zürich, Switzerland (solo) |
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2003 |
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Angela Bulloch/Matrix 206: Macromatrix for your Pleasure, UC Berkeley Art Museum, Berkeley, CA, U.S.A. (solo) |
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2003 |
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New Work 8: Angela Bulloch, World Reflections, Aspen Art Museum, Aspen (solo) |
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2000 |
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Prototypes, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland (solo) |
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2006 |
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Morton, Tom, Definitely, Mayby, in: Frieze, no. 98, London, April 2006, pp. 124-129 |
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2006 |
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Herbert, Martin, Angela Bulloch – Talks about group of seven (one absent friend), 2005, in: Artforum, April, 2006, p. 218-219 |
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2006 |
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van den Hoven, ‘Angela Bulloch gaat door waar Judd stopt’, Brabants Dagblad, 02.01.2006 |
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2006 |
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Seung-duk, Kim, ‘Power Interview, Angela Bulloch’s Pixel Odessey’, Art in Culture, Nr. 4 |
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2006 |
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Prime Numbers Angela Bulloch, Verlag der Buchhandlung Walther König, Cologne |
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2005 |
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Exh.cat. Angela Bulloch, Secession, Vienna |
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2005 |
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Leeb, Susanne, ‘Possession’, Texte zur Kunst, Dezember 2005, 15. Jahrgang, Heft 50, pp. |
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2005 |
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Bracewell, Michael, Art Review, December |
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2005 |
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Gray, Christopher, ‘Seeing the point of Bulloch’s work’, The Oxford Times, 02.12.2005, p. 2 |
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2005 |
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Finel Honigman, Ana, ‘Interview with Susanne Cotter,’ in: Contemporary 21, no. 77, 2005, p. 46-49 |
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2005 |
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Hezel, Sarah (ed.), EXTREME abstraction, Albright-Knox Gallery, Buffalo, New York, 2005 |
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2005 |
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Teerlinck, Hilde, The Suspended Moment – H&F Collection, CRAC ALSACE, Altkirch, June 2005, pp. 19-20 |
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2004 |
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Funny Cuts, Cartoons und Comics in der zeitgenössischen Kunst, Staatsgalerie Stuttgart, Stuttgart, pp. 56–59 |
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2004 |
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Coles, Alex, Angela Bulloch: A Storm in a Pixel, Contemporary, 65, 2004, pp. 20–23 |
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2004 |
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ein-leuchten, Museum der Moderne, Salzburg, pp. 68–73 |
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2004 |
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Behr, Martin, Betrogen von den eigenen Augen. Grazer Kunsthaus eröffnet den Ausstellungsbetrieb: Einbildung – das Wahrnehmen in der Kunst, in: Salzburger Nachrichten, 25./26.10.2004 |
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2004 |
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Einblick, taz Berlin no. 51, 23.06.04, p.28 |
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2000 |
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Rule Book. Angela Bulloch, ed. Stefan Kalmár, Book Works, London |
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