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1985 - 1987
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B-TEC Diploma in Art and Design, Epsom School of Art, Surrey, England
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1987 - 1989
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Drawing and printmaking classes, Morley College, London
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1992
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New York Studio School, New York
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1989 - 1993
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BA in Fine Arts (First Class Honors), Slade School of Art, London
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2008 |
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Out of Shape: Stylistic Distortions of the Human Form in Art, The Frances Lehman Loeb Art Center, Poughkeepsie, NY |
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2007 |
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Garten Eden. Der Garten in der Kunst seit 1900, Kunsthalle in Emden, Emden |
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2007 |
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Beneath the Underdog, Gagosian Gallery - Madison Avenue, New York City, NY |
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2007 |
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Not For Sale, P.S.1 Contemporary Art center, Lond Island |
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2006 |
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Des Moines Art Center, Iowa (solo) |
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2006 |
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The Triumph of Painting. Part II, The Saatchi Gallery, London |
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2006 |
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Cecily Brown, Museum of Fine Arts, Boston (solo) |
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2006 |
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New Paintings, Gagosian Gallery, London (solo) |
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2006 |
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Survivor, Bortolami Dayan, New York |
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2006 |
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Once upon a Time in the West, Contemporary Fine Arts, Berlin |
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2006 |
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The Triumph of Painting 5, Saatchi Gallery, London |
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2006 |
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Full House, Kunsthalle, Mannheim |
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2005 |
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The Triumph of Painting, Leeds City Art Gallery, Leeds |
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2005 |
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The Early Show, White Columns, New York |
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2005 |
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Cecily Brown: Paintings, Museum of Modern Art, Oxford (solo) |
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2005 |
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Kunsthalle Mannheim, Mannheim (solo) |
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2005 |
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Gagosian Gallery, New York (solo) |
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2005 |
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Recent Paintings, Gagosian Gallery, New York (solo) |
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2004 |
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Espacio 1, Museo Reina Sofía, Madrid (solo) |
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2004 |
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Galerie Lisa Ruyter, Vienna (solo) |
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2004 |
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Contemporary Fine Arts, Berlin (solo) |
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2004 |
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Whitney Biennial 2004, Whitney Museum of American Art, New York |
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2004 |
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Gyroscope, Hirshhorn Museum and Sculpture Garden, Washington, DC |
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2004 |
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Under Pressure: Prints from Two Palms Press, Cooper Union, New York |
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2003 |
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MACRO, Rome (cat.) (solo) |
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2003 |
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Gagosian Gallery, Beverly Hills (solo) |
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2002 |
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Directions—Cecily Brown, Hirshhorn Museum, Washington (solo) |
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2002 |
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Garden, Washington, D.C. |
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2002 |
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Gagosian Gallery, New York |
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2001 |
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Szenenwechsel XIX, Museum für Moderne Kunst Frankfurt am Main |
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2001 |
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Days of Heaven, Contemporary Fine Arts, Berlin (solo) |
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2000 |
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Gagosian Gallery, New York (solo) |
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2000 |
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Serenade, Victoria Miro Gallery London (solo) |
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2000 |
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The Skin Game, Gagosian Gallery Beverly Hills, CA (solo) |
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2000 |
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Deitch Projects New York, NY (solo) |
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2000 |
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The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, New York |
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2000 |
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Greater New York: New Art in New York Now, P.S. 1 Contemporary Art Center, Long Island City, NY |
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2000 |
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Emotional Rescue: The Contemporary Art Project Collection, Center on Contemporary Art Seattle |
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1999 |
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Facts & Fictions: La nuova pittura internazionale tra immaginario e realtà: New York, Galleria in Arco Turin, Italy |
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1999 |
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Vertical Painting, P.S. 1 Contemporary Art Center Long Island City, NY |
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1999 |
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At Century’s End: The John P. Morrissey Collection of 90’s Art, The Museum of Contemporary Art, Lake Worth, FL |
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1999 |
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Pleasure Dome, Jessica Fredericks Gallery, New York, Janice Guy Gallery, New York |
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1999 |
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Four Letter Heaven, David Zwirner Video Library, New York |
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1999 |
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Vertical Painting, P.S. 1 Contemporary Art Center, Long Island City, NY |
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1997 |
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Janice Guy Gallery, New York |
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1997 |
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Deitch Projects New York (Storefront Gallery), NY (solo) |
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1996 |
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Taking Stock, curated by Kenny Schacter, New York |
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1995 |
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Eagle Gallery London (solo) |
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1994 |
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The Fete Worse Than Death, Laurent Delaye, London |
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1994 |
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Contemporary View 1990, National Competition for British Art Students sponsored by Christie's. Winner of First Prize |
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2007 |
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Hunk Dory, Gary Tatintian Gallery, Moscow 2007 |
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2007 |
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Viladas, Pilar, Wenn der Dauergast „Kunst“ heisst, Architectural Digest, 21 May 2007, pp. 46-50. |
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2007 |
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Die Jagt geht weiter, kunstmarkt.com, 17 May 2007 |
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2007 |
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Agnes sorgt für Ordnung, kunstmarkt.com, 14 May 2007 |
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2007 |
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Lisa Zeitz, Der teuerste Blechschaden aller Zeiten, Frankfurter Allgemeine Zeitung, 19 May 2007 |
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2007 |
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Johannes Sander, Die Jagd geht weiter, Kunstmarkt.com, 17 May 2007 |
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2007 |
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Johannes Sander, Agnes sorgt für Ordnung, Kunstmarkt.com, 14 May 2007 |
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2006 |
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Ana Finel Honigman, Cecily Brown at Gagosian, Art in America, September 2006, S. 174 |
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2006 |
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Januszczak, Waldemar, She’s laying it on thick. Could Cecily Brown be the best British artist painting today?, The Sunday Times, 16. April 2006 |
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2006 |
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Pintura Redux, Delfim Sardo, PUBLICO e Fundacao de Serralves, Porto, 2006, S. 18-19 |
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2006 |
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Survivor, Bortolami Dayan, 2006 |
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2006 |
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Cecily Brown: Paintings 2003-2006, Gagosian Gallery, London |
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2006 |
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Cecily Brown: Paintings, Modern Art Oxford, Oxford, 2006 |
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2005 |
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The Triumph of Painting, Saatchi Gallery (Hrsg.), London, 2005 |
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2004 |
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Mayer, Antje, Cecily Brown, Spike. Kunstmagazin, Dezember 2004, S. 103 |
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2004 |
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Belcove, Julie L., Brown´s Eye, WMagazine, Vol. 33, Nr. 7, New York, Juli 2004, S. 78-87, ill. |
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2004 |
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Müller, Vanessa, Im Dickicht der Farben, Der Tagesspiegel, Nr. 18 615, 2. Oktober 2004, S. 26 |
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2004 |
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Cecily Brown, Museo Nacional Centro de Arte Reina Sofia (Hrsg.), Madrid, 2004 |
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2003 |
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Cecily Brown, MACRO (Hrsg.), Rom, 2003 |
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2002 |
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Cecily Brown, Art on Paper, Juli-August 2002, S. 40-41 |
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2002 |
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Gilmore, Jonathan. Review: Cecily Brown at Gagosian, Art in America, Juli 2002, S. 91-92 |
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2002 |
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Landi, Ann, Action! Drama! Love! Adventure!, Artnews, Juni 2002, S. 96-99 |
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2002 |
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Chambers, Christopher, Review: Cecily Brown, Gagosian, Flash Art, Mai/Juni 2002, S. 133 |
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2002 |
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Sonkin, Rebecca, Review: Cecily Brown at Gagosian Gallery, Tema Celeste, Mai/Juni 2002, S. 91 |
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2002 |
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Glück,Grace. Review: Cecily Brown at Gagosian Gallery, The New York Times, 15. März 2002, S. B34 |
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2001 |
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Schaernack, Christian, Girl Power, ART, 2001 |
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2001 |
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Rabensaat, Richard, Triefender Pinsel, Zitty, Nr. 11, 2001, S.60 |
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2001 |
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Cecily Brown - Days of Heaven, Contemporary Fine Arts (Hrsg.), Berlin, 2001 |
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2000 |
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2000 Cecily Brown, Gagosian Gallery (Hrsg.), New York, 2000 |
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2000 |
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Odita, Odili Donald, Cecily Brown. Goya, Vogue and the politics of abstraction, Flash Art International, November/December 2000, S. 70 - 74 (plus cover) |
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2000 |
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Sischy, Ingrid, Gotta Paint!, Vanity Fair, February 2000 |
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2000 |
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Haden-Guest, Anthony, The Roving Eye, artnet.com/magazine, 14. Januar 2000 |
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2000 |
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Smith, Roberta, Cecily Brown at Gagosian Gallery, SoHo, The New York Times, 21. Januar 2000 |
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2000 |
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Hunt, David, Going for baroque, Time Out New York, 27. Januar – 3. Februar 2000 |
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2000 |
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Solomon, Deborah, Art Girls Just Wanna Have Fun, The New York Times Magazine, 30. Januar 2000 |
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1999 |
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At Century’s End: The John P. Morrissey Colleciton of 90’s Art, The Museum of Contemporary Art (Hrsg.), Lake Worth, FL |
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1998 |
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More Fake, More Real, Yet Even Closer: Drawings by Some Younger Painters, Text von Robert Evren, Castle Gallery, The College of New Rochelle (Hrsg.), 1998-1999 |
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1998 |
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The New Neurotic Realism, Essay by Dick Price, The Saatchi Gallery (Hrsg.), London |
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