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Michael Andrews Biography
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1946
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Took lessons on Saturdays in oil painting at Norwich Art School
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1947 - 1949
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After being accepted at the Slade School of Art, he entered the army to do two years of National Service, the last nineteen months were spent in Egypt
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1952
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Second prize in the Slade Summer Competition
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1949 - 1953
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Studied at the Slade School of Art where he was taught by William Coldstream
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1953
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Awarded the Scholarship for painting to the British School, Rome
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1959
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Taught at Norwich School of Art
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1960
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Taught at Chelsea School of Art London
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1963 - 1966
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Taught at the Slade School of Fine Art
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1988
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Served as a Trustee of the National Gallery
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1989
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Made a Fellow of University College, London
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2000 - 2001 |
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'The School of London and Their Friends: the Collection of Elaine and Melvin Merians', Yale Centre for British Art, New Haven, USA. Travelled to Neuberger Museum of Art, Purchase, New York, USA (cat.) |
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2001 |
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‘Michael Andrews’, Tate Britain, London, UK (cat.) |
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2000 |
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‘Michael Andrews: Luces’, Museo Thyssen-Bornemisza, Madrid, Spain (cat.) |
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2000 |
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'Painting the Century: 101 Portrait Masterpieces 1900-2000', National Portrait Gallery, London, UK (cat.) |
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1998 - 1999 |
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'L'ecole de Londres: de Bacon à Bevan', Paris, Foundation Dina Vierny - Musée Maillol, France (cat.) |
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1999 |
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'Michael Andrews, William Coldstream: Myserious Conventionality', Timothy Taylor Gallery, London, UK (Cat.) |
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1998 |
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‘Michael Andrew’s: The Thames Paintings’, Timothy Taylor Gallery, London, UK (cat.) |
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1995 - 1996 |
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'From London' (Bacon, Freud, Kossoff, Andrews, Auerbach, Kitaj)', Scottish National Gallery of Modern Art, Edinburgh, UK; Musée Nationale d'Histoire et d'Art, Luxumbourg; Musée Cantonal des Beaux-Arts, Lausanne, Switzerland; Fundacío Caixa de Catalunya, La Pedrera, Barcelona, Spain |
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1995 |
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'Identity and Alerity: figures of the body 1895/1995', La Biennale di Venezia, 46. Espositione internazionale d'arte, Palazzo Grassi and Museo Correr, Venice, Italy (cat.) |
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1994 |
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'Dobbel Virkelighet / Double Reality': The School of London', Astrup Fearnley Museet for Moderne Kuns, Oslo, Norway (cat.) |
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1991 - 1992 |
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'The Delectable Mountain: The Ayres Rock Series and other Landscapes Paintings', touring exhibition organized by the Whitechapel Art Gallery, London, UK travelled to: Fondation Nationale des Arts Graphiques et Plastiques, Paris, France; Scottish National Gallery of Modern Art, Edinburgh, UK; Grey Art Gallery & Study Centre, New York, USA; Scottish National Gallery of Modern Art, Edinburgh, UK and returning to London, UK (cat.) |
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1992 |
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‘Summer Exhibition’, Royal Academy, London, UK (cat.) |
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1986 |
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'Rock of Ages Cleft for Me', Anthony d'Offay Gallery, London, UK (cat.) |
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1981 |
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'Eight Figurative Painters', Yale Centre for British Art, USA |
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1981 |
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'Retrospective Exhibition', organized by the Arts Council, Haywood Gallery, London, UK. Travelling to; Fruitmarket Gallery and Whitworth Art Gallery, Manchester, UK. (cat.) |
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1978 |
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'Michael Andrews: paintings 1977-78', Anthony d'Offay Gallery, London, UK (cat.) |
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1977 |
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'Michael Andrews', James Kirkman's House, London, UK |
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1974 |
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'Michael Andrews, Lights Series', Anthony d'Offay Gallery, London, UK (cat.) |
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1963 |
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'Michael Andrews', Beaux Arts Gallery, London, UK (cat.) |
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1958 |
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'Michael Andrews', Beaux Arts Gallery, London, UK (cat.) |
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Summer 1995 |
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Peppiatt, Michael, ‘a school or not a school’, Modern Painters, Summer, pp. 64-66 |
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Spring 2001 |
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Tufnell, Ben, ‘Illuminations: Michael Andrews, Norman Mailer and Rimbaud’, British Art Journal, Spring |
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May 24, 1998 |
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Gayford, Martin, ‘The river that ran within him’, Sunday Telegraph, 24 May |
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June 14, 1998 |
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Feaver, William, ‘Yard Birds’, Observer, 14 June |
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June 13-14, 1998 |
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Packer, William, ‘Elegies by the Riverside’, Financial Times Weekend, 13-14 june, p. vii |
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June 10, 1998 |
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Gayford, Martin, ‘Farewell to the river’, Daily Telegraph, 10 June |
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July 24, 1995 |
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Lampert, Catherine, ‘Michael Andrews’, Independent, 24 July, p. 14 |
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July 22, 1995 |
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‘Michael Andrews’ (obituary) Times, 22 July, p. 14 |
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July 21, 1995 |
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Feaver, William, ‘Micael Andrews: As it seems, so it clearly is’, Guardian, 21 July, p. 15 |
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1991 |
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Bernard, Bruce & Raban, Jonathan Michael Andrews: ‘The Delectable Mountain’, Whitechapel Art Gallery, London |
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