 |
|
|
|
|
|
|
|
1960
|
|
Born in Brooklyn, New York
|
|
|
1983
|
|
B.F.A. in Photography, School of Visual Arts, New York, NY
|
|
|
1985
|
|
M.F.A. in Visual Arts, University of California, San Diego, CA
|
|
|
1989
|
|
Artists’ Space Board of Directors, New York, NY
|
|
|
1990
|
|
Louis Comfort Tiffany Award, Louis Comfort Tiffany Foundation, New York, NY
|
|
|
1994
|
|
College Art Association
|
|
|
1998
|
|
Award Finalist, The Hugo Boss Prize 1998, Solomon R. Guggenheim Foundation, New York, NY
|
|
|
2001
|
|
The Whitney Museum of American Art Award sponsored by Cartier and The Cartier Foundation for Contemporary Art, New York, NY
|
|
|
2003
|
|
Distinguished Artist-In-Residence, The Christian A. Johnson Endeavor Foundation, Colgate University, Hamilton, NY
|
|
|
2008
|
|
Women’s Art: Women’s Vision Honoree, National Women's History Project
|
|
|
|
|
Resides in Brooklyn, New York
|
|
|
2008 |
|
Archive Fever: Uses of the Document in Contemporary Art, ICP - International Center of Photography, New York City, NY |
|
|
2008 |
|
Mixed Emotions, Apuntes para une coleccion del signlo XXI, DA2 - Domus Artium 2002 Salamanca |
|
|
2007 |
|
Beauty and the Blonde: An Exploration of American Art and Popular Culture, Mildred Lane Kemper Art Museum, Saint Louis, MO |
|
|
2007 |
|
the BIG picture, North Carolina Museum of Art, Raleigh, NC |
|
|
2006 |
|
Lorna Simpson, American Federation of the Arts traveling show, the Museum of Contemporary Art, Los Angeles; the Miami Art Museum, Miami, FL.; the Whitney Museum of American Art, New York; the Gibbes Museum, Charleston, SC (solo) |
|
|
2005 |
|
Lorna Simpson: 31, Prefix Institute of Contemporary Art, Toronto, Ontario, Canada (solo) |
|
|
2005 |
|
Artists Interrogate: Race and Identity, Milwaukee Art Museum, Milwaukee, WI |
|
|
2005 |
|
Bodies of Evidence: Work by Women of Color in the Museum’s Collection, The Museum of Art, Rhode Island School of Design, Providence, Rhode Island |
|
|
2005 |
|
Collection Remixed, The Bronx Museum of the Arts, Bronx, NY |
|
|
2005 |
|
Contemporary Voices: Works from the UBS Collection, MoMA, New York, NY |
|
|
2005 |
|
Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum Houston, Houston, Texas |
|
|
2005 |
|
Double Exposure: African Americans Before and Behind the Camera, Wadsworth Atheneum Museum of Art, Hartford, Connecticut |
|
|
2005 |
|
Transcending Time: Recent Work by Bill Viola and Lorna Simpson, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire |
|
|
2005 |
|
Adams and 21 Eves: Women Photographers from the Vault, University Art Museum, California State University, Long Beach, CA |
|
|
2004 |
|
Beginning Here: 101 Ways, School of Visual Arts, NY |
|
|
2004 |
|
Public/Private, Auckland Triennial, Auckland, New Zealand |
|
|
2004 |
|
Lorna Simpson, Walter E. Terhune Gallery, Owens Community College, Toledo, Ohio (solo) |
|
|
2004 |
|
Lorna Simpson: Videos and Photographs, Galerie Obadia, Paris, France (solo) |
|
|
2004 |
|
Lorna Simpson, The College of Wooster Art Museum, Wooster, Ohio (solo) |
|
|
2004 |
|
Lorna Simpson: 31, Mary & Leigh Block Museum of Art Northwestern University, Evanston, IL (solo) |
|
|
2004 |
|
Prefix Institute of Contemporary Art, Toronto, Ontario, Canada (solo) |
|
|
2004 |
|
Lorna Simpson, Sean Kelly Gallery, NY (solo) |
|
|
2004 |
|
Lorna Simpson: Corridor, Wohnmaschine, Berlin, Germany (solo) |
|
|
2003 |
|
Lorna Simpson, Consejo Nacional Para la Cultura y las Artes, Mexico City, Mexico (solo) |
|
|
2005 |
|
“April 2006 Preview: Lorna Simpson,” Art in America: Annual Guide, No. 7, August 2005, p. 45 |
|
|
2005 |
|
Copeland, Huey, “‘Bye, Bye Black Girl’: Lorna Simpson’s Figurative Retreat,” art journal, Vol. 64, No. 2, Summer 2005, pp. 62-78 |
|
|
2005 |
|
Derieux, Florence, “Lorna Simpson,” Flash Art, March-April 2005, pp. 122-123 |
|
|
2005 |
|
Hanor, Stephanie, “Collectors XX: Building A Museum Collection,” View, Museum of Contemporary Art San Diego, April/May/June 2005, p.3 |
|
|
2005 |
|
Julian, Betty, “Lorna Simpson,” Images Festival 2005 Guide [Toronto,Canada], pp. 47-49 |
|
|
2005 |
|
Lamoureux, Johanne, “From Form to Platform: The Politics of Representation and the Representation of Politics,” art journal,Vol. 64, No. 1, Spring 2005, pp. 65-73 |
|
|
2005 |
|
“Lorna Simpson, le noir dans la peau,” Le Figaro Littéraire, Thursday, January 20th, 2005 |
|
|
2005 |
|
MacSweeney, Eve, “Golden Year,” Vogue, Vol. 195, No. 4, April 2005, pp. 348-351 |
|
|
2005 |
|
Milroy, Sarah, “At The Galleries: Lorna Simpson,” The Globe And Mail, Friday, April 8th, 2005 |
|
|
2005 |
|
Nochlin, Linda, et. al. “The New Modern: Itineraries,” Art in America, March 2005, pp. 51-59 |
|
|
|
|
|
Links to further information |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|