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1954
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Born in Glen Ridge New Jersey
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1976
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B.A. from State University College at Buffalo, New York
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National Endowment for the Arts, 1977
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John Simon Guggenheim Memorial Fellowship, 1983
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Skowhegan Medal for Photography, Maine, 1989
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Larry Aldrich Foundation Award, Connecticut, 1993
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John D. and Catherine T. MacArthur Foundation, 1995
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Wolfgang-Hahn-Preis (Gesellschaft fur Moderne Kunst am Museum Ludwig), 1997
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Goslar Kaierring Prize, 1999
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The Hasselblad Foundation, 2000
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Selected Museum and Public Collections:
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Albright-Knox Art Gallery, Buffalo
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Art Gallery of New South Wales, Sydney
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Art Gallery of Ontario, Toronto
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Australian National Gallery, Canberra
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Carnegie Museum of Art, Pittsburgh
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Centre Georges Pompidou, Paris
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Centro de Arte Reina Sofia, Madrid
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Corcoran Gallery of Art, Washington D.C.
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Dallas Museum of Fine Arts
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Hamburger Bahnhof Museum fur Gegenwart, Berlin
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Israeli Museum, Jerusalem
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Kunsthalle Hamburg, Germany
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Kunstmuseum Wolfsburg, Germany
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Los Angeles County Museum of Art
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Louisiana Museum, Humlebaek, Denmark
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Metropolitan Museum of Art, New York
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Moderna Museet, Stockholm
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Modern Art Museum of Fort Worth, Texas
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Musée d'art Contemporain, Montréal
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Museum Boymans-van Beuningen, Rotterdam
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Museum des 20, Jahrhunderts, Vienna
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Museum Folkwang, Essen, Germany
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Museum of Art, Carnegie Institute, Pittsburgh
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Museum of Contemporary Art, Chicago
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Museum of Contemporary Art, Helsinki
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Museum of Contemporary Art, Los Angeles
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Museum of Contemporary Art, Luxembourg
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Museum of Fine Arts, Boston
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Museum of Fine Arts, Houston
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Museum of Modern Art, New York
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Museum of Modern Art, Oslo
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New Britain Museum of American Art, New Britain, Conneticut
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Philadelphia Museum of Art
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Rijksmuseum Kroller-Muller, Otterlo, Holland
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San Francisco Museum of Modern Art
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Solomon R. Guggenheim Museum, New York
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Sprengel Museum, Hannover
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Staatsgalerie Stuttgart, Germany
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Stedelijk Museum, Amsterdam
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Tamayo Museum, Mexico City
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Tokyo Metropolitan Museum of Photography
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Victoria and Albert Museum, London
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Wadsworth Atheneum, Hartford
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Walker Art Center, Minneapolis
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Whitney Museum of American Art, New York
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2008 |
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Second Thoughts, The Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY |
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2008 |
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Body Work, Le Case d'Arte, Milan |
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2008 |
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2041, Artnews Projects, Berlin |
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2007 |
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Faces, Cook Fine Art, New York |
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2007 |
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Imagination becomes Reality. Werke aus der Sammlung Goetz, ZKM, Karlsruhe |
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2007 |
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Held together with Water. Kunst aus der Sammlung Verbund, Museum für Angewandte Kunst, Wien/Vienna |
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2007 |
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What does the Jellyfish want?, Museum Ludwig Köln/Cologne |
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2007 |
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There is never a stop and never a finish, Hamburger Bahnhof, Berlin |
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2007 |
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Foto.Kunst, Essl Museum, Klosterneuburg/Wien/Vienna, Austria |
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2007 |
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All the more real: Portrayals of Intimacy and Empathy, Parrish Art Museum, Southampton, USA |
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2007 |
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Traum und Trauma, Kunsthalle Wien/Vienna, Austria |
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2007 |
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Into Me / Out of Me, Museo d’Arte contemporanea, Roma |
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2007 |
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Eros in der Kunst der Moderne, BA-CA Kunstforum, Wien/Vienna, Austria |
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2007 |
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Bus Riders, Barbara Krakow Gallery, Boston, USA, (solo) |
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2007 |
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A Play of Selves, Galerie Monika Sprüth Philomene Magers, London, (solo) |
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2007 |
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Retrospektive, Martin Gropius Bau, Berlin, (solo) |
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2006 - 2007 |
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Retrospektive, Jeu de Paume, Paris, (solo) |
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2006 - 2007 |
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Retrospektive, ; Kunsthaus Bregenz; Louisiana Museum of Modern Art, Humlebaek; Martin-Gropius-Bau, Berlin, (solo) |
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2006 |
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A Play of Selves, Metro Pictures, New York, (solo) |
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2006 |
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Anos 80: Uma Topologia, Museu Serralves, Porto |
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2006 |
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Das Achte Feld. Geschlechter, Leben und Begehren in der Kunst seit 1960, Museum Ludwig, Köln/Cologne |
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2006 |
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Surprise, Surprise, Institute of Contemporary Arts, London |
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2006 |
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Eros in der Kunst der Moderne, Fondation Beyeler, Riehen/Basel, Schweiz |
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2006 |
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The Other Side, Tony Shafrazi Gallery, New York |
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2006 |
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Memento Mori, Mireille Mosler Ltd., New York |
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2006 |
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Into Me / Out of Me, Kunstwerke Berlin |
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2005 |
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Faites vos jeux! Kunst und Spiel seit Dada, Kunstmuseum Liechtenstein, Vaduz; Akademie der Künste, Berlin; Museum für Gegenwartskunst, Siegen |
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2005 |
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Metro Pictures, New York |
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2005 |
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Cindy Sherman, Galerie du Chateau d’Eau, Toulouse, (solo) |
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2005 |
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Self Performance. Jürgen Klauke und Cindy Sherman, Neues Museum Weimar, (solo) |
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2004 |
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The Unseen Cindy Sherman – Early Transformations 1975/1976, Montclair Art Museum, Montclair, New Jersey, (solo) |
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2004 |
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Cindy Sherman. Clowns, Kestner Gesellschaft, Hannover, (solo) |
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2004 |
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Cindy Sherman, Metro Pictures, New York, (solo) |
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2004 |
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Enthüllt. Das Aktbild in der Fotokunst des 20. Jahrhunderts, Städtische Museen Heilbronn |
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2004 |
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The Last Picture Show, Fotomuseum Winterthur |
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2004 |
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Faces in the Crowd, Whitechapel Art Gallery, London |
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2004 |
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Incantations, Metro Pictures, New York |
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2003 |
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Cindy Sherman. Centerfolds, 1981, Skarstedt Fine Art, New York, (solo) |
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2003 |
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Cindy Sherman, Serpentine Gallery, London; Scottish National Gallery of Modern Art, Edinburgh, (solo) |
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2002 |
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Metro Pictures, New York |
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2001 |
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Cindy Sherman: Early Works, Studio Guenzani, Milan, (solo) |
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2001 |
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Cindy Sherman- Moment of Truth, Copenhagen Contemporary Art Center, Copenhagen, Denmark, (solo) |
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2000 |
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Hasselblad Center, Göteborg, Schweden/Sweden, (solo) |
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2000 |
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Gagosian Gallery, Los Angeles, (solo) |
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2000 |
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Galería Juana de Aizpuru, Madrid, (solo) |
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2000 |
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Greengrassi, London, (solo) |
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2000 |
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Metro Pictures, New York, (solo) |
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2000 |
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Let's Entertain, Walker Art Center, Minneapolis Centre Georges Pompidou, Paris |
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2000 |
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Open Ends, Museum of Modern Art, New York |
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2000 |
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Hyper Mental, Kunsthaus Zürich; Hamburger Kunsthalle |
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1999 |
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Gesammelte Werke 1: Zeitgenössische Kunst seit 1968, Kunstmuseum, Wolfsburg |
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1999 |
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Notorious, Museum of Modern Art, Oxford |
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1999 |
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Monika Sprüth Galerie, Köln/Cologne, (solo) |
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1999 |
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Metro Pictures, New York, (solo) |
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1999 |
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The American Century, Whitney Museum of American Art, New York |
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1999 |
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Inverted Odysseys, Grey Art Gallery, New York |
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1999 |
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The Century of the Body: Photoworks 1900-2000, Musée de l'Elysée, Lisbon |
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1999 |
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Triennale Exhibition: Sentiment of the Year 2000, Triennale di Milano, Milan |
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1999 |
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Regarding Beauty, Hirshhorn Museum, Washington, D.C. |
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1998 |
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Mirror Images: Women, Surrealism and Self-Representation, MIT List Center, Cambridge, Massachussettes; Miami Art Museum; San Francisco Museum of Modern Art |
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1998 |
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Allegories, Seattle Art Museum, Washington, (solo) |
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1998 |
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Metro Pictures, New York, (solo) |
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1997 |
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Cindy Sherman: The Complete Untitled Film Stills, Museum of Modern Art, New York, (solo) |
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1997 |
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Cindy Sherman: A Selection From the Eli Broad Foundation’s Collection, Museo de Bellas, (solo) |
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1997 |
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Artes, Caracas, Venezuela, (solo) |
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1997 |
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Cindy Sherman: Retrospective, Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago; Galerie Rudolfinum, Prague; capc Musée, Bordeaux; Barbican Art Gallery, London; Museum of Contemporary Art, Sydney; Art Gallery of Ontario, Toronto (1997-2000), (solo) |
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1997 |
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Cindy Sherman, Museum Ludwig, Köln/Cologne, (solo) |
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1997 |
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Gender Performance in Photography, Solomon R. Guggenheim Museum, New York |
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1997 |
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On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, The Museum of Modern Art, New York |
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1997 |
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Von Beuys bis Cindy Sherman Sammlung Lothar Schirmer, Kunsthalle, Bremen |
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1996 |
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L'Informe: le Modernisme a Rebours, Centre Georges Pompidou, Musée National d'Art Moderne, Paris |
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1996 |
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Cindy Museum Boymans-van Beuningen, Rotterdam; Museo Nacional Centro de Arte Reina Sofia, Madrid; Sala de Exposiciones REKALDE, Bilbao; Staatliche Kunsthalle, Baden-Baden, (solo) |
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1996 |
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Cindy Sherman, Museum of Modern Art, Shiga, Japan; Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame, Japan; Museum of Contemporary Art, Tokyo Metamorphosis: Cindy Sherman Photographs, The Cleveland Museum of Art, Cleveland Metro Pictures, New York, (solo) |
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1996 |
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Hall of Mirrors: Art and Film Since 1945, The Museum of Contemporary Art, Los Angeles; The Wexner Center for the Arts, Columbus, Ohio; Palazzo delle Esposizioni, Rome; The Museum of Contemporary Art, Chicago |
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1996 |
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Biennale di Firenze, Florence, Italy |
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1995 |
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Ydessa Hendeles Art Foundation, Toronto |
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1995 |
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1995 Biennial Exhibition, Whitney Museum of American Art, New York |
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1995 |
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Zeichen & Wunder, Kunsthaus Zurich, Switzerland |
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1995 |
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XLVI Esposizione Internazionale d'Arte 1995, La Biennale di Venezia, Venice |
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1995 |
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FeminiMasculin: Le Sexe de l'Art?, Centre Georges Pompidou, Musée d'Art Moderne, Paris |
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1995 |
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1995 Carnegie International The Carnegie Museum of Art, Pittsburgh |
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1995 |
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Directions: Cindy Sherman-Film Hirshhorn Museum, Washington, D.C., (solo) |
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1995 |
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Cindy Sherman Photographien 1975-1995, Deichtorhallen Hamburg; Malmo Kunsthall, Sweden; Kunstmuseum Luzern, Switzerland, (solo) |
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1995 |
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Cindy Sherman, Museu de Arte Moderna de Sao Paulo, Brazil, (solo) |
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1995 |
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Monika Sprüth Galerie, Köln/Cologne, (solo) |
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1995 |
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Metro Pictures, New York, (solo) |
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1994 |
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Cindy Sherman, ACC Galerie Weimar, Germany, (solo) |
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1994 |
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Cindy Sherman, Manchester City Art Gallery, (solo) |
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1994 |
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Cindy Sherman, The Irish Museum of Modern Art, Dublin, (solo) |
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1994 |
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World Morality, Kunsthalle, Basel |
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1994 |
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Body and Soul, The Baltimore Museum of Art, Maryland |
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1994 |
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Jurgen Klauke - Cindy Sherman, Sammlung Goetz, München/Munich |
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1993 |
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Louise Lawler, Cindy Sherman, Laurie Simmons, Kunsternes Hus, Oslo; Museum of Contemporary Art, Helsinki |
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1993 |
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1993 Biennial Exhibition, Whitney Museum of American Art, New York |
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1993 |
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American Art of This Century, Martin-Gropius-Bau, Berlin; Royal Academy of Arts, London |
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1993 |
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Tel Aviv Museum of Art, (solo) |
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1992 |
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Museo de Monterrey, Mexico, (solo) |
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1992 |
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Monika Sprüth Galerie, Köln/Cologne, (solo) |
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1992 |
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Metro Pictures, New York, (solo) |
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1992 |
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Post Human, Musée d'Art Contemporain, Pully/Lausanne, Switzerland; Castello di Rivoli, |
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1992 |
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Turin; Deste Foundation, Athens; Deichtorhallen, Hamburg; Israel Museum, Jerusalem |
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1991 |
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1991 Biennial Exhibition, Whitney Museum of American Art, New York |
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1991 |
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Metropolis, Martin-Gropius-Bau, Berlin |
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1991 |
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Cindy Sherman, Basel Kunsthalle, Switzerland; Staatsgalerie Moderner Kunst, Munich; Th Whitechapel Gallery, London, (solo) |
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1991 |
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Milwaukee Art Museum; Center for Fine Arts, Miami; The Walker Art Center, Minneapolis, (solo) |
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1990 |
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Padiglione d'arte Contemporanea, Mailand/Milan, (solo) |
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1990 |
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University Art Museum, University of California, Berkeley, (solo) |
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1990 |
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Monika Sprüth Galerie, Köln/Cologne, (solo) |
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1990 |
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Metro Pictures, New York, (solo) |
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1990 |
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Culture and Commentary, The Hirshhorn Museum, Washington, D.C. |
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1990 |
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Energies, The Stedelijk Museum, Amsterdam |
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1990 |
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The Readymade Boomerang, Eighth Biennial of Sydney |
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1989 |
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National Art Gallery, Wellington, New Zealand; Waikato Museum of Art and History, New Zealand, (solo) |
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1989 |
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Metro Pictures, New York, (solo) |
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1989 |
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A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art,Los Angeles |
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1989 |
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Bilderstreit, Messehallen, Köln/Cologne |
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1989 |
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Image World: Art and Media Whitney Museum of American Art, New York |
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1988 |
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Monika Sprüth Galerie, Köln/Cologne, (solo) |
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1987 |
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Whitney Museum of American Art, New York; The Institute of Contemporary Art, Boston; The Dallas Museum of Art, (solo) |
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1987 |
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Metro Pictures, New York, (solo) |
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1987 |
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Avant-Garde in the Eighties, Los Angeles County Museum of Art |
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1987 |
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Implosion: A Postmodern Perspective, Moderna Museet, Stockholm |
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1986 |
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Art and Its Double: A New York Perspective, Fundacio Caixa de Pensions, Barcelona; La Caixa de Pensions, Madrid |
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1986 |
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Individuals: A Selected History of Contemporary Art, 1945-1986, Museum of Contemporary Art, Los Angeles |
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1986 |
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The American Exhibition, The Art Institute of Chicago |
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1985 |
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Westfälischer Kunstverein, Münster, West Germany, (solo) |
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1985 |
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Metro Pictures, New York, (solo) |
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1985 |
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Carnegie International, Carnegie Museum of Art, Pittsburgh |
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1985 |
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1985 Biennial Exhibition, Whitney Museum of American Art, New York (cat.) |
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1984 |
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Alibis, Centre Pompidou, Musee d'Art Moderne, Paris (cat.) |
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1984 |
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Content: A Contemporary Focus, 1974-84, Hirshhorn Museum, Washington D.C. (cat.) |
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1984 |
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The Fifth Biennale of Sydney, Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney (cat.) |
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1984 |
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Cindy Sherman, Akron Art Museum; Institute of Contemporary Art, Philadelphia; Museum of Art, Carnegie, (solo) |
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1984 |
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Institute, Pittsburgh, Pennsylvania; Des Moines Art Center; The Baltimore Museum of Art, (solo) |
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1984 |
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Monika Sprüth Galerie, Köln/Cologne, (solo) |
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1983 |
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Musee d'Art et d'Industrie de Saint Etienne, France, (solo) |
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1983 |
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The St. Louis Art Museum, Missouri, (solo) |
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1983 |
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Metro Pictures, New York, (solo) |
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1983 |
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Directions 1983, Hirshhorn Museum, Washington D.C. (cat.) |
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1983 |
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1983 Biennial Exhibition, Whitney Museum of American Art, New York (cat.) |
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1983 |
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The New Art, The Tate Gallery, London |
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1982 |
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Documenta 7, Kassel, West Germany (cat.) |
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1982 |
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Eight Artists: The Anxious Edge, Walker Art Center, Minneapolis, Minnesota (cat.) |
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1982 |
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Cindy Sherman, The Stedelijk Museum, Amsterdam; Gewad, Ghent, Belgium; Watershe Gallery, Bristol, England; John Hansard Gallery, University of Southampton, England; Palais Stutterheim, Erlangen, West Germany; Haus am Waldsee, West Berlin; Centre d'Art Contemporain, Geneva; Sonja Henie-Niels Onstadt Foundation, Copenhagen; Louisiana Museum, Humlebaek, Denmark, (solo) |
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1982 |
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Cindy Sherman, Deja Vu, Dijon, France, (solo) |
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1982 |
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Metro Pictures, New York, (solo) |
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1982 |
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La Biennale di Benezia, Venice (cat.) |
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1980 |
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Contemporary Arts Museum, Houston, (solo) |
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1980 |
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Metro Pictures, New York, (solo) |
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2007 |
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“Cindy Sherman im Kunsthaus”, in: Kunst Bulletin, Nr.1/2, 2007, S. 68 |
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2006 |
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Almuth Spiegler, ”Die analytische Anziehpuppe. Eine Wander-Retrospektive zur amerikanischen |
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2006 |
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Katrin Wittneven, ”Cindy Shermans Frauenrollen im Kunsthaus Bregenz”, monopol, Dezember 2006, S. 114 |
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2006 |
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“Ich war der Duft des Monats. Cindy Sherman stellt in Bregenz aus – und spricht über Schönheitswahn, Perversionen und Clowns”, Interview mit/with Eva Karcher, Süddeutsche Zeitung, Nr. 285, 11. Dezember 2006, S. 12 |
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2006 |
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“Seelische Abgründe. Maske und Fratze”, in: Annabelle, Dezember 2006, S. 50 |
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2006 |
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Anja Lösel, “Lust auf Schock und Grusel, in: Stern, Nr. 49/2006, S. 226-227 |
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2001 |
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Cheryl Caplan, “Cindy Sherman,” Tema Celeste, January–February, pp. 91 |
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2001 |
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Edward Leffingwell, “Cindy Sherman at Metro Pictures,” Art in America, June, pp. 126 |
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2000 |
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Cindy Sherman, ed. by Gunilla Knape, Hasselblad Center, Goteborg, Sweden |
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2000 |
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David Pagel, "Sherman is the Very Picture of How Others Fall Short," Los Angeles Times, April 14, pp. F22 |
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2000 |
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Inverted Odysseys, Claude Calhoun, Maya Deren, Cindy Sherman, ed by Shelley Rice, Massachussetts Institute of Technology, Grey Art Gallery; New York University; Museuem of Contemporary Art, North Miami |
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2000 |
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Calvin Tompkins, “Her Secret Identities,” The New Yorker, May, pp. 74-83 |
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2000 |
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Charles Gandee, “Women on the Verge,” Talk, May, pp. 46 |
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2000 |
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Early Work of Cindy Sherman, foreword by Edsel Williams, Glenn Horowitz Bookseller, New York |
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2000 |
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Éva Forgács, "Cindy Sherman," Art issues, September/ October, pp. 46 |
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2000 |
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Wayne Koestenbaum, “Fall Gals,” Artforum, September, pp. 148-51 (and cover) |
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2000 |
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Vince Aletti, “The Lady Vanishes,” Village Voice, November 21, pp. 85 |
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2000 |
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Michael Kimmelman, “Cindy Sherman,” The New York Times, November 24, pp. E36 |
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2000 |
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Linda Yablonsky, “Vanity Fare,” Time Out New York, Nov 30-Dec 7, pp. 91 |
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2000 |
|
Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe, Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New York, pp. 2, 3, 4, 5, 6, 41, 230, 347 |
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2000 |
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Hyper Mental, Kunsthaus Zürich/ Hamburger Kunsthalle, Germany, pp. 101 |
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1999 |
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Peter Schjeldahl, "Valley of the Dolls," The New Yorker, June 7, pp. 94-5 |
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1999 |
|
Lilly Wei, "Cindy Sherman: Metro Pictures," Artnews, September, pp. 147 |
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1999 |
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Brook S. Mason, "Sherman's March," Artnews, September, pp. 72 |
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1999 |
|
Mark Van Proyen, "Cindy Sherman," New Art Observer, October, pp. 46 |
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1999 |
|
Jutta Koether, "Old Witnesses," Camera Austria, #67, pp. 18-29 (and cover illustration) |
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1999 |
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Barbara Pollack, "The 10 Best Living Artists: Self-Denial," Artnews, Dec., pp. 146 |
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1999 |
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Dave Hickey, "Best of the '90s," Artforum, December, pp. 112-3 |
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1999 |
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Janet Kraynak, "Cindy Sherman at Metro Pictures," Documents, Fall, pp. 54-8 |
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1998 |
|
Claire Carolin, “Cindy Sherman: History Portraits,” Contemporary Visual Arts, issue 17, pp. 75 |
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1998 |
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R. Forgáes, “Cindy Sherman,” Art Issues, Jan/Feb, pp. 48 |
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1998 |
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Miranda Sawyer, "The Invisible Woman," The Observer (Life weekend segment), England, pp. 14-9 |
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1998 |
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“200 Women Legends, Leaders and Trailblazers,” Vanity Fair, Nov., pp. 250 |
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1997 |
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Phoebe Hoban, "Sherman's March," Vogue, February, pp. 240-3,278 |
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1997 |
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Noriko Fuku, "A Woman of Parts," Art in America, June, pp. 74-81, 125 |
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1997 |
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Herbert Muschamp,"Knowing Looks," Artforum, Summer, pp. 106-11 |
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1997 |
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Peter Plagens, "The Odd Allure of Movies Never Made," Newsweek, June 30, pp. 74-5 |
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1997 |
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Mark Stevens, "Performance Anxiety," New York, July 7, pp. 58-9 |
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1997 |
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Roberta Smith, "Film Starlet Clichés, Genuine and Artificial at the Same Time, The New York Times (Arts segment), June 27, pp. C23 |
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1997 |
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Cindy Sherman: Retrospective, essays by Amanda Cruz, Amelia Jones, Elizabeth A.T. Smith, Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago |
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1997 |
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Katharina Schmidt & Marc Scheps, Cindy Sherman, Museum Ludwig, Cologne |
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1997 |
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Christopher Knight, "Camera Ready," Los Angeles Times, November 2, pp. 5, 92 |
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1997 |
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Roberta Smith, "A Horror Movie, Complete with Zombies," The New York Times, November 30, pp. 41 |
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1997 |
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Andrew Johnston, "Office Killer," Time Out, December 4-11, pp. 83 |
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1997 |
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John Anderson, "Office Killer Takes Aim at Horror Genre," The Los Angeles Times, December 5 |
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1997 |
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Cindy Sherman: A Selection From the Eli Broad Foundation’s Collection, essays by Frederica Palomero & Joanne Heyler, Museo de Bellas Artes, Caracas, Venezuela |
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Links to further information |
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