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Dalziel + Scullion Biography
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Matthew Dalziel and Louise Scullion are Scottish based artists who have worked in collaboration since 1993, during that time they have produced a significant body of work that has been widely shown nationally and internationally.
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Interested in the complex relationship that contemporary mankind has with the ‘natural’ world, Dalziel + Scullion’s art looks at our shifting environment and the increasing urbanisation of the population. Their work in photography, video, sound and sculpture encourages us to look anew at our habitat, questioning what significance our estrangement from Nature will have on our future survival.
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They completed their two-year Fellowship at the National Museum of Photography Film and Television, Bradford in 2003 and currently run an Environmental Art Practice from the University of Dundee. They are represented by Houldsworth, London
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2005 |
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Winners of The Creative Scotland Award, 2005 |
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2005 |
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Earthdom, Peterborough Digital Arts in asso. with Film & Video Umbrella |
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2005 |
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Breath Taking Nationwide Billboard Project, Deveron Arts, Aberdeenshir |
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2005 |
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Freeze Frame Stephen Lawrence Gallery, London |
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2004 |
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Blind Sight, Visual Research Centre, Dundee and Titanik Gallery, Turku, Finland Forest, Wolverhampton Art Gallery |
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2004 |
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Storm: The Measures, Houldsworth, London |
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2004 |
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Forest, Wolverhampton Art Gallery |
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2003 - 2004 |
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Glasgow Gallery of Modern Art |
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2003 - 2004 |
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National Museum of Photography, Film and Television, Bradford |
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2003 |
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Genus, Museum of Film and Photography, Bradford |
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2003 |
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Level Street gallery, Glasgow |
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2003 |
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Storm , Gallery of Modern Art, Glasgow |
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2003 |
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Taigh Chearsabhagh Museum and Arts Centre, North Uist |
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2003 |
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Picturesque, Tullie House Art Gallery, Carlisle |
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2003 |
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1st International Biennial of Video Art, Centre for Contemporary Art, Tel Aviv |
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2003 |
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Great Piece of Turf, Danielle Arnaud, London |
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2003 |
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Flock on Film, Arnolfini and Picture This Moving Image, Bristol, curated by Louise K Wilson |
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2003 |
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1st International Biennial of Video Art, Centre for Contemporary Art, Tel Aviv |
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2003 |
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‘Picturesque’ Tuille House Art Gallery, Carlisle, Jan-March |
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2002 - 2003 |
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Frozen, Site Gallery, Sheffield |
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2002 |
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Aura A, Houldsworth, London |
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2002 |
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Site Gallery, Sheffield, December |
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2002 |
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Target Art, Madison Square Park, New York (with Dan Graham and Mark Dion; organised by Public Art Fund, New York) |
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2002 |
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My Father is the Wise Man of the Village, Fruitmarket Gallery, Edinburgh |
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2001 - 2002 |
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Home, Fruitmarket Gallery, Edinburgh; Milton Keynes Art Gallery and Manchester City Art Gallery |
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2001 |
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Bell at Yesnaby Cliffs, Pier Arts Centre, Orkney |
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2001 |
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Meltwater, Sadler’s Wells Theatre, London |
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2001 |
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Voyager, Yorkshire Sculpture Park, Wakefield |
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2001 |
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New Visions of the Sea, National Maritime Museum, London |
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2001 |
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The Forum, Norwich Gallery, Norwich |
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2001 |
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Here and Now, McManus Gallery, Dundee Contemporary Arts, Generator and Aberdeen Art Gallery, Scotland |
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2001 |
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Shriek From an Invisible Box, Merguro Museum of Art, Tokyo |
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2000 |
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Modern Nature, permanent installation for Elrick Hill, Scotland |
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2000 |
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Rain, Oriel 31 Gallery, Powys, Wales |
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2000 |
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BAFTA New Talent Scotland, nomination for Best Film Director for The Pressure of Spring (Channel 4, 1999) |
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1999 |
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The Way Stations, Art Connexion, Lille, France; Duff House, Banff (project commissioner) and Pier Art Centre, Orkney |
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1999 |
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The Pressure of Spring, commissioned short film for Channel Four Television |
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Dalziel + Scullion have had solo exhibitions at The Fruitmarket Gallery, Edinburgh, The Arnolfini, Bristol, The Ikon Gallery Birmingham, Manchester Art Gallery, the Scottish National Gallery of Modern Art in Edinburgh, the Centre of Contemporary Art in Glasgow, the Gallery of Modern Art in Glasgow, the National Museum of Photography, Film and Television in Bradford. They were also included in the 3rd British Art Show and have shown internationally at the Venice Biennale, Young British Artists in Rome, the Australian Centre For Contemporary Art, Melbourne, Am Polylog Project in Worgl, Austria, Madison Square Park in New York, Sean Kelly Gallery, New York, the Meguro Museum of Modern Art in Tokyo, Artconnexion in Lille, France and IBID Projects in Vilnius, Lithuania |
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2005 |
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Breath Taking Deveron Arts |
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2005 |
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Freeze Frame Stephen Lawrence Gallery |
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2005 |
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Idea of North by Peter Davidson published by Reaktion Books |
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2005 |
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Silicon Fen Norwich School of Art and Design and London Film and video Umbrella |
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2004 |
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Forest Wolverhampton Art Gallery |
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2004 |
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Private Views: Artists Working Today edited by Judith Palmer published by Serpent's Tail |
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2004 |
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Blind Sight Visual Research centre, Dundee and Titanik Gallery, Finland |
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2003 |
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Picturesque, Tullie House Museum and Art Gallery, Carlisle |
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2003 |
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Living Landscape: European Topographies, West Cork Arts Centre, Ireland |
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2003 |
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Video Zone, Centre for Contemporary Art, Tel Aviv, Israel |
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2003 |
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Art Tomorrow, edited by Edward Lucie-Smith, published by Terrail Press |
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2003 |
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Landing: Visualising Geography, editor Ingrid Swenson, published by London University |
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2003 |
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Inprocess, published by Public Art Fund, New York |
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2001 |
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Home, The Fruitmarket Gallery, Edinburgh |
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2001 |
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Great 39, The Photographers Gallery, London |
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2001 |
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Here and Now, edited by Katrina Brown, Dundee Contemporary Arts, Dundee |
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1999 |
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Atopia 0.66, Atopia Magazine |
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1999 |
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Contemporary Sculpture in Scotland, edited by Andrew Patrizio, Craftsman House, Australia |
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1998 |
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Richard Hough Bursary, Stills Gallery, Edinburgh; essay by Gilda Williams |
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1998 |
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Morning Star/Evening Star, for Melbourne-Scottish Cultural Exchange, Australian Centre for Contemporary Art |
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1998 |
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From Here to There, High Street Projects, Christchurch, New Zealand |
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