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1957
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Born in in Havana, Cuba
Presently lives and works in New York
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1991
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Cintas Foundation, Visual Arts Fellowship, New York
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1991
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Artist-in-the-Marketplace, Bronx Museum of the Arts, New York
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1991
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Studio Program, Bronx Council on the Arts, New York
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1993
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Pollock-Krasner Foundation, Visual Arts Fellowship, New York
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1994
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Mid-Atlantic Arts Foundation, National Endowment for the Arts Regional Painting Fellowship, Baltimore
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1997
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Cintas Foundation, Visual Arts Fellowship, New York
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1997
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The Joan Mitchell Foundation, New York
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1998
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Pollock-Krasner Foundation, Visual Arts Fellowship, New York
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2002
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The Cuban Artists’ Fund, New York
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1978 Art History Certificate, Universidad Complutence, Madrid
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1979 B.A. in Humanities, Fine Arts Major, Magna Cum Laude, Universidad de Puerto Rico, SJ
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1980 Theology Certificate, St. John Vianney Seminary, Miami
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1984 Graduate work in Education, Universidad Interamericana, San Juan
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1985 Silkscreen Seminar, Art Students’ League, San Juan
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1987 Graduate work in Art Therapy, Pratt Institute, Brooklyn
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1990 Graduate work in Media Theory, Hunter College, New York
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2006 |
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Ernesto Pujol: Walk #1, ARTMATTERS 10, McNay Art Museum, San Antonio, TX (solo) |
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2006 |
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Ernesto Pujol: Mourning Circle #2, ARTMATTERS 10, McNay Art Museum, San Antonio, TX (solo) |
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2005 |
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The Promised Land, Galeria Ramis Barquet, New York (solo) |
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2005 |
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Art Basel Miami Beach, Galeria Ramis Barquet, Miami, FL |
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2004 |
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ARCO 05, Galeria Ramis Barquet, Madrid, Spain |
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2004 |
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Reversing Vandalism, San Francisco Public Library, San Francisco, CA |
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2004 |
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El Futuro es Ahora/The Future is Now, PSCA/Durst Organization, New York |
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2004 |
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Papeleria, Galeria Comercial, San Juan |
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2004 |
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Water Table, Spoleto Festival, Charleston |
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2004 |
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Birspace, Contemporary Art Center, New Orleans, Norton Art Museum, Ft. Lauderdale, The Hudson River Museum, NY |
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2003 |
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Sharks in the Morning, Daniel Azoulay Gallery, Miami |
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2003 |
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Whiteness: A Wayward Construction, Laguna Art Museum, Laguna Beach, CA |
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2003 |
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Silence of Songbirds, Ramis Barquet Gallery, New York (solo) |
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2003 |
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Becoming the Land, Salina Art Center, Kansas (solo) |
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2003 |
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Human Fields, Brito Cimino Gallery, Sao Paulo (solo) |
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2002 |
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American Fields, Jersey City Museum, NJ; Heriard-Cimino Gallery, New Orleans; and Iturralde Gallery, LA (solo) |
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2002 |
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The Bathers, Priska Juschka Fine Arts, NY (solo) |
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2002 |
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Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
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2002 |
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Hot City, Daniel Azoulay Gallery, Miami |
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2001 |
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Peppermint, Smack Mellon, Brooklyn |
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2001 |
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Daily Life, Rudolph Projects, Houston |
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2001 |
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Domestic Disturbance, Salina Art Center, Salina, Kansas |
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2001 |
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El cuerpo de la fe, Galeria Pancho Fierro de la Municipalidad de Lima, Peru (solo) |
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2001 |
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Ernesto Pujol: Conversion of Manners, Heriard-Cimino Gallery, New Orleans (solo) |
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2001 |
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Loss of Faith, Ramis Barquet Gallery, NY & Monterrey (solo) |
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2000 |
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Conversion of Manners, Museo del Barrio, NY, and Allentown Art Museum, PA (solo) |
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2000 |
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Ernesto Pujol:Whiteness, Gian Carla Zanutti Gallery, Milan (solo) |
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1991 Studio Program, Bronx Council on the Arts, New York |
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Curator, Share Your Vision, Artist Space, New York, 2003 |
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Curator, Biennial of Monterrey, Mexico, 2003 |
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Curator, The Flesh of Boys, The Flesh of Girls, PS122, New York, 2000 |
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Curator, Desire, National Arts Club and Syracuse University, New York, 1999 |
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New York State University, Buffalo; University of Arizona, Tucson; Syracuse University, Syracuse; Tufts University, Boston; Cornell University, Ithaca; University of Wisconsin, Madison; Whitney Museum of American Art’s Education Initiative at the Harvey Milk School, NY; Drew University, NY; New York University, NY; Institute of Fine Arts, NY; Parsons School of Design, NY; Columbia University, NY; Museum of Contemporary Art, LA. |
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Adjunct Professor, Fine Arts Department, Pratt Institute, New York, 2004-Present |
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Visiting Professor, Fine Arts Department, Pratt Institute, New York, spring 2001-2004 |
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Boards, Committees & Panels |
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Photography Fellowship Panel, New York Foundation for the Arts (NYFA), 2004 |
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Museum and Visual Arts Program Panelist, National Endowment for the Arts (NEA), Washington, DC, 2000-2001 |
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Visual Arts Review Panelist, Visual Arts Program, New York State Council on the Arts (NYSCA), 1997-1999 |
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Visual Arts Panelist, The Cintas Foundation, New York, 1998 & 1999 |
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Artist Advisory Board, New Museum of Contemporary Art, 1997-2000 |
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Board of Directors, Art in General, New York, 1998-1999 |
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Artist Advisory Group, PS122, NewYork, 1995-1997 |
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Selections’ Committee, Art in General, New York, 1997 |
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Selection’s Committee, PS122, New York, 1995 |
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Sprint Corporation, Kansas City; Herbert F. Johnson Museum, Cornell University, Ithaca; Art Museum, Rhode Island School of Design, Providence; Museum of Contemporary Art, San Diego; Museum of Contemporary Art, Los Angeles; Museo Rufino Tamayo, Mexico City; Light Work Visual Studies, Syracuse; Bronx Art Museum, NY; Bronx Council on the Arts, Longwood; Casa de las Américas, Havana; Cintas Foundation Fellows Collection, Florida International University, Miami; El Museo del Barrio, New York; Museum of Art, Fort Lauderdale |
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2002 The Artists’ Fund, New York |
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1998 & 1993 Pollock-Krasner Foundation, Visual Arts Fellowship, New York |
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1997 & 1991 Cintas Foundation, Visual Arts Fellowship, New York |
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1997 Joan Mitchell Foundation, New York |
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1994 Mid-Atlantic Arts Foundation, National Endowment for the Arts Regional Painting Fellowship, Baltimore |
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1991Artist-in-the-Marketplace, Bronx Museum of the Arts, New York |
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