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1968
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Born in Redondo Beach, CA
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1986 - 1987
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Marymount College, Palos Verdes, CA
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1987 - 1991
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Art Center College of Design, BFA, Pasadena, CA
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1999
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International Prize – Golden Lion, Venice Biennale, Venice
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2000
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The Larry Aldrich Foundation Award, The Aldrich Museum of Contemporary Art, Connecticut
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Lives and works in Los Angeles
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2009 |
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Victoria Miro Gallery, London (solo) |
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2009 |
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Regen Projects, Los Angeles, CA (solo) |
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2008 |
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303 Gallery, New York, NY (solo) |
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2008 |
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"55th Carnegie International: Life on Mars", Carnegie Museum of Art, Pittsburgh, PA |
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2008 |
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"Elements and Unknowns", Museum of Modern Art, New York |
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2008 |
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"El Mundo del Hielo'", EXPO 2008, Zaragoza, Spain |
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2008 |
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"Implications of the Image", MUCA, Mexico City |
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2008 |
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"Expected Unexpected Mexico", Maison Rouge, Paris |
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2008 |
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"Rhine on the Dnipro", Julia Stoschek Collection, Dusseldorf |
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2008 |
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"Mouth Open Teeth Showing", Henry Art Gallery, Seattle |
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2008 |
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"Moscow on the Move", Garage Center for Contemporary Culture, Moscow |
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2008 |
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Galerie Eva Presenhuber, 99¢ Dreams, Zurich (solo) |
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2008 |
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Kaiser Wilhelm Museum and Museum Haus Lange, Falling into Place, Krefeld, Germany (group) |
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2008 |
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Kunstmuseum Luzern, Blasted Allegories. Works from the Ringier Collection, Lucerne, Switzerland (group) |
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2008 |
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Julia Stoschek Collection, Pinchuk Art Center, Kiev (group) |
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2007 |
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Museum of Modern Art, Sleepwalkers, New York (solo) |
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2007 |
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303 Gallery, New York (solo) |
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2007 |
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ICA, Institute of Cotemporary Art, Ensemble, Philadelphia (group) |
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2007 |
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Kemper Art Museum, Window/Interface, Washington (group) |
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2007 |
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Fondazione Sandretto Re Rebaudengo, Silence, Torino, Italy (group) |
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2007 |
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Stedelijk Museum, Mapping the City, Amsterdam (group) |
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2007 |
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Vanhaerents Art Collection, Disorder in the House, Brussels (group) |
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2006 |
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Aspen Art Museum, A Photographic Survey, Aspen/Colorado (solo) |
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2006 |
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Essex Street Market, Broken Screen Happening, New York (solo) |
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2006 |
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Rubell Family Collection, Red Eye. L. A. Artists from the Rubell Family Collection, Miami (group) |
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2006 |
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Irish Museum of Modern Art, all hawaii eNtrées / luNar reggae, Dublin (group) |
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2006 |
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ICA Institute of Contemporary Arts, Surprise, Surprise, London (group) |
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2006 |
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Hamburger Bahnhof. Museum für Gegenwart, Beyon Cinema, Berlin (group) |
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2005 |
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Musée d’Art moderne de la Ville de Paris, Couvent des Cordeliers, ULTRAWORLD, Paris (solo) |
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2005 |
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Museum of Contemporary Art Chicago and Hayward Gallery London, Universal Experience: Art, Life and the Tourist's Eye, Chicago/London (group) |
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2005 |
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Kunsthaus Graz, Now’s the time, Graz (group) |
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2005 |
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Galerie Eva Presenhuber, Sell yourself for nothing, Zurich (solo) |
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2005 |
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Sammlung Goetz, Doug Aitken – Richard Prince, Munich |
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2004 |
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Aldrich Museum, Conneticut (solo) |
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2004 |
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La Caixa Forum, We’re Safe As Long As Everything Is Moving, Barcelona (solo) |
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2004 |
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21st Century Museum of Contemporary Art, Kanazawa, Japan (group) |
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2004 |
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SchirnKunsthalle, 3minutes, Frankfurt (group) |
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2004 |
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Art Institute of Chicago, Past, Present, Future. Contemporary Art 1950–Present, Chicago (group) |
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2004 |
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PS1, Hard Light, New York (group) |
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2003 |
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Fondazione Sandretto ReRebaudengo, new ocean, Torino (solo) |
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1994 |
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303 Gallery, New York, USA (solo) |
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1993 |
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Dawin, AC Project Room, New York, NY, USA |
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1993 |
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Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland |
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1993 |
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Imperfect Innocence, Contemporary Museum, Baltimore, Maryland, USA |
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1993 |
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Spiritus, Magasin 3, Stockholm, Sweden |
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1992 |
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Art Institute of Chicago, USA |
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1992 |
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Sonic Process, MACBA, Barcelona, Spain and Centre Pompidou, Paris, France |
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1992 |
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Screen Memories, Contemporary Art Center, Art Tower Mito, Japan |
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1992 |
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remix, Tate Gallery, Liverpool, UK |
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2008 |
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Lund, Holger, Doug Aitken, in: Holzwarth, Hans Werner (ed.): Art Now, Vol.3, Köln, 2008, p. 24 |
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2008 |
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Aspen Art Museum (ed.), Doug Aitken. 99¢ Dreams, Aspen |
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2008 |
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Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, Zurich |
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2008 |
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Völzke, Daniel, Knitter, Kniffe, Knicke in Krefelder Kunsthäusern, in: Monopol, no. 3, March 2008, p. 97 |
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2007 |
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Cash, Stephanie, A Night in the Life, in: Art in America, April 2007, p. 105/106 |
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2007 |
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Marin, Courtney J., Doug Aitken: Sleepwalkers, in: Flash Art, March/April |
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2007 |
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Golden, Thelma, Doug Aitken, in: Interview, February 2007, p. 82 |
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2007 |
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The Museum of Modern Art (ed.): Doug Aitken, sleepwalkers, New York |
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2007 |
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Vanderbilt, Tom, City of Glass, in: Artforum, New York, January 2007, pp. 45-46 |
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2007 |
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Myers,Terry R., Sharing City Secrets at MoMA, in: Art Review, January 2007, p. 69-73 |
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2007 |
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Zeitz, Lisa, Wo die Bilder fliegen lernen: Nach Einbruch der Dunkelheit lässt Doug Aitken an de Fassade des Museums of Modern Art in New York im Januar die „Sleepwalkers“ tanzen, in: Monopol, no. 1, January 2007, p. 106-109 |
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2006 |
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Doug Aitken, in: frame – the state of art, no. 16/17, March/April 2006, p. 73 |
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2006 |
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Schwerfel, Heinz Peter, Ein Surfer durch Licht und Zeit, in: art. Das Kunstmagazin, Hamburg, January – March 2006 |
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2006 |
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Doug Aitken (portfolio), in: M mouvement l'indisciplinaire des arts vivants, no. 38, Paris, January – March 2006 |
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2006 |
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Eichler, Dominic, Universal Experience, in : Frieze, London, January/February 2006, pp. 146-147 |
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2006 |
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Sandback, Fred, Doug Aitken. Signs of Time, in: art press. La révue de l'art contemporaine, no. 319, Paris, January 2006 |
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2005 |
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Schönwald, Cédric, Ultraworld, in: Art 21, December 2005 – January 2006 |
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2005 |
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Miles, Christopher, Doug Aitken. Regen Projects, in: Artforum, December 2005, p. 285 |
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2005 |
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Ramade, Bénédicte, L'ultramonde de Doug Aitken, in: L'Oeil, Paris, December 2005 |
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2005 |
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Baron, Marie-Guy, En symbiose avec Doug Aitken, in: Le Figaro, Paris, December 27, 2005 |
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2005 |
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Bellet, Harry, Pris au piège des vidéos de Doug Aitken, in: Le Monde, Paris, December 26, 2005 |
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2004 |
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Smith, Roberta, ''Summertime at P.S. 1: Where Opposites Like Hands On/Hand Off Attract'', The New York Times, July 16 |
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2004 |
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Cornell, Lauren, ''Hard Light'', Review, Time Out New York, August 5-12 |
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2004 |
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Doug Aitken talks to Ed Ruscha, ''Earth is the Alien Planet'', frieze |
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2004 |
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Bergstein, Yael, ''Bice Curiger on the Hypermental and Georgia O'Keefe'', studio: israeli art magazine, issue 151, march, p.32-39 |
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2004 |
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'' Broken Screen'', project for Artforum, Nov 2004 p. 194-201 |
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2004 |
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“Landscape and Memory”, curated by Alicia Chillida, La Casa Encendida, Madrid, Spain, pp 248-251 |
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2003 |
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“Installations II l’empire des sens”, Niicholas de Oliveira, Nicola Oxley, and Michael Petry, Thames & Hudson, Paris, France, p.68, 77 |
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2003 |
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“Defying Gravity”, text by Linda Johnson Dougherty, North Carolina Museum of Art, p.66-67 |
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2003 |
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“Kino und Kunst”, text by Heinz Peter Schwerfel, Germany |
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2003 |
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“Spiritus”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden |
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2003 |
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“Imperfect Innocence: The Debra and Dennis Scholl Collection”, Contemporary Museum, Baltimore, Maryland and the Palm Beach Institute of Contemporary Art, Lake Worth, Florida |
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2003 |
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''Focus Video and Film'', FlashArt, Jan-Feb, Vol.XXXVI, No.228, p.88 |
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2003 |
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Willis, Holly, ''I am always moving'', res, vol.6, no. 3, 36 |
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2003 |
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Newhall, Edith, Artnews, May, vol. 102, number 5, p.159 |
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2003 |
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Eleey, Peter, frieze, January February, issue 72, p.93 |
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2003 |
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Sumpter, Helen, ''Doug Aitken'', Time Out London, November 19-26 |
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2003 |
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Smee, Sebastian, ''Mesmerising Visions'', Daily Telegraph, October 29 |
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2003 |
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Smithson, Helen, ''Visual essay on our state of alienation'', Hampstead and Highgate Express, November 7 |
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2003 |
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Boncossa, Ilaria, ''A Shifting Breakfast'',label, #9, spring, p.092-097 |
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2003 |
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Tegeder, Dannielle, Bomb, Spring Issue Number 83, p.44-46 |
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2002 |
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Renard, Emilie, ''Critics£¾¦ Picks'', artforum.com, review |
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2002 |
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Griffin, Tim, review, Artforum, December, p.137 |
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2002 |
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Honigman, Ana Finel, review, contemporary, November, p.85 |
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2002 |
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Heartney, Eleanor, review, Art in America, November, p. 155-6 |
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2002 |
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Sculpture, October, Vol. 21 No.8, p. 16 |
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2002 |
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Halle, Howard, review, Time Out NY, October 10-17, Is. 367 |
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2002 |
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Kastner, Jeffrey, ''No Labels, No Boundaries: An Artist of the Moment'', Arts&Leisure, The New York Times, October 7p. 36-7 |
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2002 |
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Kihm, Christophe, ''Gestures and Territies'', art press, September, No. 282, p. 46-50 |
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2002 |
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Smith, Roberta, review, The New York Times, October 18 |
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2002 |
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Photo, ''Goings On About Town'', The New Yorker , October 14-21 review, The New Yorker, October 7, p. 23 |
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2002 |
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Griffin, Tim, ''Doug Aitken'', Index Magazine, September/October, p.40 |
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2002 |
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Newhall, Edith, ''Too Much Information'', New York Magazine, Sept. 9. Vol. 35, No. 30, p.70 |
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2002 |
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Res, September/October, p.22 |
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2002 |
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Withers, Rachel, review, tema celeste, january/february, Issue 89, p.74 |
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2002 |
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Art Now, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen,p. 16 |
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2002 |
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Firstenberg, Lauri, ''Urban Pornographic'', make, London, special edition 92, p.9 |
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2002 |
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Morton, Tom, review, Modern Painters, Winter, Vol 14, No.4, p.102-3 |
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2002 |
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“Screen Memories”, Contemporary Art Center, Art Tower Mito, Japan, (exh. cat) |
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2001 |
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“Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons”, curated by Brice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp. 124, 141 |
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2001 |
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“Form Follows Fiction”, curated by Jeffrey Deitch, Castello di Rivoli,, (exh. cat) |
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2001 |
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“Fresh Cream, Contemporary Art in Culture”, Phaidon Press, pp. 58-63 |
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2001 |
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“Flight Patterns”, Museum of Contemporary Art, Los Angeles, CA, (exh. cat) |
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2001 |
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“The 2000 Biennial Exhibition”. Whitney Museum of American Art, New York |
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2001 |
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Let’s Entertain: Life’s Guilty Pleasures”, curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11 |
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2001 |
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“Speed of Vision: On the Construction and Perception of Time in Video Art, curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26 |
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2001 |
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“Crossing Boundaries 2000”, The Danish Film Institute, Denmark, p. 54 |
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2001 |
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“Video Vibe: Arte, Musica e Video in Giran Bretagna”, Cristiana Perrella e Daniela Cascella, The British School at Rome, Italy, p. 64 |
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2001 |
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“Biennale of Sydney 2000”, pp. 32-33 |
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2001 |
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Poschardt, Ulf, “Surfen statt Zappen”, Welt Am Sonntag, February 11 |
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2001 |
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Pardo, Patrick, “The Politics of Landscape”, NYArts, Vol. 6, No. 2, February 2001, p.75 |
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2001 |
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Jothady, Manish, “Reisen in den Inner Space”, Frame, vol. 5, Jan-Feb, pp. 67-73 |
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2001 |
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Romano, Gianni, “Secession”, review, Flash Art, January - February, Vol. XXXIV, No. 216, pp. 121-122 |
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2001 |
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Surborg, Jorn, ''Uberraschende Ansichten urbaner Landschaften'', Wolfsburger Kurier, February 18 |
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2001 |
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Franke, Anselm, ''Doug Aitken: Videos als raumfullendes Gebilde'', Wolfsburger Allgemeine Zeitung, February 16 |
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2001 |
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''Los Angeles leuchtet ¡V Wolfsburg zeigt Werke von Doug Aitken'', Neue Presse, Hannover, February 16 |
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2001 |
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Nehring, Lydia, ''Elektrische Liebeserklarung?!'', Berliner Morgenpost, February 15 |
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2001 |
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review, Zitty, February 22, 2001 |
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2001 |
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Buhr, Elke, ''Der perfekte Moment'', Frankfurter Rundschau, February 21, 2001 |
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2001 |
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Hilgenstock, Andrea, ''Gigi in der Geisterstadt'', Berliner Morgenpost, February 20 |
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2001 |
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Kuhn, Nicola, ''Wusten der Grossstadt'', Der Tagesspiegel, February 20, 2001 |
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2001 |
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Fricke, Harald, ''Leben unter dem Stroboskop'', Die Tageszeitung |
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2001 |
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Kuhn, Nicola, ''Der Rap der Grossstadt'', Potsdamer Neueste Nachrichten, February 19, 2001 |
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2001 |
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Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21 |
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2001 |
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Guzik, Jon Alain, ''Calm, Cool, and Collected'', Soma, Vol. 15.4, May/June, pp. 43-45 |
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2001 |
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Fuchs, Christian and Petra Erdmann, ''Crossing All Over'', Ahead, 1. pp. 64-65 |
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2001 |
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Vogel, Sabine V. ''Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen'', Kunst-Bulletin, April. p. 12-17 |
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2001 |
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Spinelli, Claudia, ''Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg'', Neue Zurcher Zeitung, Zurich, no. 96, April 26, 2001, p.65 |
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2001 |
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Ramonet, Ignacio, ''Heller Wahn'', Le Monde diplomatique, April, p.1, Germany |
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2001 |
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''Berlin's Best'', Der Tagesspiegel, March 23, 2001 |
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2001 |
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''Berlin's Best'', Der Tagesspiegel, March 16, 2001 |
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2001 |
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review, Flyer, Nr. 137, March 5 £¾V 18, 2001 |
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2001 |
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''Berlin's Best'', Der Tagesspiegel, March 9, 2001 |
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2001 |
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Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21 |
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2001 |
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Hemming, Sarah, preview, The Daily Express, London, October 5 |
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2001 |
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Guzik, Jon Alain, ''Video Art: A Primer'', SOMA, October, Vol. 15.8, P. 43-46 |
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2001 |
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Reust, Hans-Rudolf, ''Hypermental; Kunsthaus Zürich'', (review), Artforum International, Summer, Vol. 34, No. 10, p. 193-4 |
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2001 |
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book review, ''Diamond Sea'',tema celeste, May/June,Vol. XVIII, No.85, p. 20 |
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2001 |
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''Diamond Sea'', Mined Field, p. 408-415 |
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2001 |
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Firstenberg, Lauri, ''Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken'', Camera Austria, 74, pp. 6, 17, cover |
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2001 |
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Spiegl, Andreas, ''Doug Aitken: Wiener Secession, Wien'', Camera Austria International, Graz/A, no. 73, p. 78-9, ill. |
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2001 |
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Franke, Anselm, ''Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound'', KW Magazine, Berlin, no.01/01, p. 86-7 (english translation p. 78) |
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2001 |
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''Doug Aitken'', Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg, March 2001 |
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2001 |
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Busing, Nicole & Klaas, Heiko, ''Zuckungen in der Endlossschleife'', Saarbrucker Zeitung, March 9, 2001 |
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2001 |
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Wahjudi, Claudia, ''Frau ohne Eigenschaften'', Zitty, Nr. 6, March 8 £¾V 21, 2001 |
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2001 |
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Walder, Gabriela, ''Der GroƒÒstadtnomade von Los Angeles'', Die Welt, March 8, Ebeling, Knut, £¾¡±Parabeln der Unbehaustbeit£¾¨, Berliner Zeitung, March 6, 2001 |
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2001 |
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Stoeber, Michael, ''Die Unsicherheit aller Verhaltnisse'', Hannoversche Allgemeine Zeitung, March 5, 2001 |
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2001 |
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''Highlights der Woche'', Stern, March 1, 2001 |
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2001 |
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''Berlin'', Frankfurter Allgemeine Zeitung, February 28, 2001 |
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2001 |
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Hilgenstock, Andrea, ''Der Poet unter den Videokunstlern'', Die Rheinpfalz Ludwigschafen Rundschau, February 26, 2001 |
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2001 |
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Wulffen, Thomas, ''Amor vacui'', Frankfurter Allgemeine Zeitung, February 26, £¾¡±Netzwerk£¾¨, Zitty, February 22, 2001 |
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2001 |
|
mos, ''Medium als Message'', Der Tagesspiegel, February 22, 2001 |
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2001 |
|
Kent, Sarah, ''Living in Oblivion'', Time Out London, October 24-31, p.60 |
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2001 |
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Ratnam, Niru, ''The Man Who Fell to Earth'', The Face, London, November |
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2001 |
|
Guzik, Jon Alain, ''A Twilight of Perfection'', Dazed & Confused, London, Winter, Narcism Issue, p. 130-9 |
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2001 |
|
Buck, Louise, ''Quick Flicks'', Vogue, October, Vol. 167, No. 2439, p. 91-2 |
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2001 |
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Cork, Richard, ''Flood Warnings'', review, The Times, London, October 17, London, UK |
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2001 |
|
Lack, Jessica, review, The Guardian, London, October 13 |
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2001 |
|
Lubbock, Tom, ''Best Shows in London'', The Independent, London, October 13th. |
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2001 |
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''Richard Cork's choice: Doug Aitken'', The Times, London, October 1 |
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2001 |
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Sumpter, Helen, Hot Tickets, London, October 12 |
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2001 |
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Bishop, Claire, (review), The Evening Standard, London, October 11 |
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2001 |
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Mitchell, Stephen, ''Going out'', The Evening Standard, London, October 11 |
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2001 |
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Chapman, Peter, The Independent, London, October 6 |
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2000 |
|
Bonetti, David, “Bay City Best”, San Francisco Examiner Magazine, July 9 |
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2000 |
|
Guthmann, Edward, “India’s Bollywood’ Inspires Video Artist”, San Francisco Chronicle, July 18, pp. E1-E5 |
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2000 |
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Tsering, Lisa, “Into the Sun: Impressions of the Bollywood Dream Machine”, India West, July 21 |
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2000 |
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Helfand, Glen, “Access Bollywood”, The San Francisco Bay Guardian”, July 26 - August 1 |
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2000 |
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Bonnetti, David, “BAM installation examines film”, San Francisco Examiner, August 25 |
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2000 |
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Baker, Kenneth, “The Fantasy World of Bollywood: Video artist explores mystique of movies”, San Francisco Chronicle, July 12 |
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2000 |
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Bonami, Francesco, “Liquid Time”, Parkett, Issue 57, pp. 29-32 |
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2000 |
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Roberts, James, “Omega Man, Parkett, Issue 57, pp. 22-23 |
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2000 |
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vanAssche, Christina, “The “Stalker” of the Fin de Siécle”, Parkett, Issue 57, p.54-58 |
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2000 |
|
Fuchs, Christian and Petra Erdamann, “How to Disappear Completely: Doug Aitken”, Ahead, January, page 64 -5 |
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2000 |
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Anton, Saul, “Dead Meat: From Aitken to Barney through Hitchcock”, Fiction: or Other Accounts of Photography, Dazibao, Montreal, Canada, November, p. 47-55 |
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2000 |
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Vogel, Sabine B., Frankurter Allgemeine, November 7, p. 23 |
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2000 |
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Secession, February, Cover + pp. 8-9 |
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2000 |
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Aitken, Doug, “Horse’s Mouth -- reader’s tips complied by Laura Mauk”, Bookforum, Vol. 7, Issue 4, Winter, p.44 |
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2000 |
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“Turbulence; Blackout; movement; Breath In; Weak Link; Mirror”, Blind Spot, Issue 16 |
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2000 |
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Martin, Frank Edgerton, “That’s Entertainment, Let’s Entertain Life’s Guilty Pleasures, Portland Art Museum,Architecture, August, p. 63 |
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2000 |
|
Feinstein, Roni, “Museum of Contemporary Art”, Art in America, p. 44 |
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2000 |
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Anton, Saul, “A Thousand Words: Doug Aitken Talks about Electric Earth”, Artforum, May, pp. 160-161 |
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2000 |
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Rubinstein, Raphael, “Regional Hopes & Recycled Tropes”, Art in America, July |
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2000 |
|
Anton, Saul, “Doug Aitken New York”, Res, October |
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2000 |
|
Gerstler, Amy, “Man in Motion: The Video Nomad Goes Home”, November, No. 186, Los Angeles Magazine, November, pp. 122-27 |
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2000 |
|
Willis, Holly, “Signal To Noise, Doug Aitken’s Blow Debris”, LA Weekly, December pp. 8-14 |
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2000 |
|
Myers, Holly, “Horizons, Art Photography (mostly) at MOCA and the Getty”, LA Weekly |
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2000 |
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Pagel, David, “Flight Patterns Ventures Far”, Calendar Arts and Entertainment, Thursday, November 23, p. 63 |
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2000 |
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Muchnic, Suzanne, “She’s Trying to Reorient LA’s Compass'', Art and Architecture, December |
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2000 |
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Bonetti, David, “dark views of battered landscape in LA show”, San Francisco Examiner, Thursday, November 16 |
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2000 |
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Verkoeper, Ute, “I Am In You”, Springerin, Ausstellungen |
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2000 |
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Bronson, AA, “Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession'', Association of Visual Artists, Wednesday, January 3 |
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2000 |
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Dusini, Mathias, “Netzhaut unter Strom”, Falter Vienna, no. 43, October 27 |
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2000 |
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Mittwoch, “Kunst-Szenen, Audiovisuelle Poesis - Doug Aitken”, Neus Zurcher Zeltung, Zurich, no. 166, July 19 |
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2000 |
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Grzonka, Patricia Von, “Clever & Smart, Kunst, p. 182 |
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2000 |
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Kalmar, Stefan, Access/Excess, The Face, p. 190 |
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2000 |
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Steininger, Florain, “Wuste gegen Urbanitat, Die Presse, Doug Aitken, Glass Horizon”, Vienna, October 25 |
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2000 |
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Mittringer, Marku, “Hyperaktive Stagnation, Doug Aitken hat in der Secession”, Der Standard, Vienna, October 21 |
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2000 |
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Auritipp, “Die tollen Lockvogel”, Zurich: TA Media AG, June 16-22, p. 64 |
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2000 |
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Talkington, Amy, “Ausstellungsempfehlung, Doug Aitken”, Seccession, Wien, Portfolio, Newsletter, Vienna, no. 2, p. 14 |
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2000 |
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Golonu, Berin, “Previews”, Artweek, July/August |
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2000 |
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Calendar/Critics Choice, San Francisco Bay Guardian, July 15 |
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2000 |
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McKenna, Kristine, “ Biennial Man”, LA Weekly, March 17-23 |
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2000 |
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Ruhm, Constanze, “Planet of the Scapes”, Style and the Family Tunes, Germany, April/May, Issue 30 pp. 34-39 |
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2000 |
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Birnbaum, Daniel, “i am in you”, review, Artforum, December, pp. 126 |
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2000 |
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Halle, Howard, “2000 and None: The Whitney Blows the Franchise”, Time Out New York, no 237, April 6-13, p. 72 |
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2000 |
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“Very New Art”, Bijutsu Techo, Japan, No. 782, January |
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2000 |
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Artbyte, cover photo, Vol. 3, No. 2, July-August |
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2000 |
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Wei, Lily, “2000 Biennial Exhibition”, review, Artnews, Vol. 99, No. 5, May, p. 225 |
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2000 |
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Paini, Dominique, “Le Retour du Flâneur”, Artpress, Paris, no. 255, March, p. 33 |
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2000 |
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Rush, Michael, “New Media Rampant, Art in America, July, p. 41 |
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2000 |
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“Doug Aitken”, Brutus, Japan |
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2000 |
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“Gallery Side 2”, review, Bijutsu Techo, Japan, Vol. 51, No. 774, August, p. 21 |
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2000 |
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“Very New Art 2000”, Bijutsu Techo, Japan, pp. 9-12 |
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2000 |
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Adams, Mark, “Accelerating Art: Aitken, ‘I am a Bullet’ ”, Rolling Stone, September 14, p. 105 |
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2000 |
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“Super-flat landscape”, Bijutsu Techo, Japan, September, cover, pp. 18-29 |
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2000 |
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Grabner, Michelle, Let’s Entertain, Walker Arts Center, review, frieze, Issue 54, Sept-Oct, pp. 125-26. |
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2000 |
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Green, Charles, “The Biennale of Sydney 2000”, review, Artforum, September, p.186-87 |
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2000 |
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Withers, Rachel, “Fall Preview: Guy Wired”, Artforum, September, p. 78 |
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2000 |
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“No-one needs to say sorry”, The Sydney Morning Herald, Fri., May 26, p. 19 |
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2000 |
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Smee, Sebastian, “Video Drills the Rodeo Star”, The Sydney Morning Herald, July 8 |
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2000 |
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Genocchio, Benjamin, The Australian, May 26 |
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2000 |
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“Visual Arts: A Fresh Perspective”, Sydney Scope Magazine, June 6 |
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2000 |
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“Art Showcase: Doug Aitken”, Zoo, London, January, Is. 4, p. 158-9 |
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Links to further information |
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