 |
|
|
|
|
|
|
|
|
|
|
Marina Abramovic Biography
|
|
|
|
|
|
|
|
|
|
|
|
1960 - 1968
|
|
Paintings and drawings.
|
|
|
1965 - 1970
|
|
Academy of Fine Arts, Belgrade, Yugoslavia.
|
|
|
1968 - 1970
|
|
Projects,texts and drawings.
|
|
|
1970 - 1972
|
|
Post-graduate studies, Radionica Krsta Hegedusic, Academy of Fine Arts, Zagreb.
|
|
|
1970 - 1973
|
|
Sound environments, exhibitions at the Studenski Kultuni Centar, Belgrade. Yugoslavia with Rasa Todosijevic, Zoran Popovic, Gergeliji Urkom, Slobodan Milivojevic and Nesa Paripovic.
|
|
|
1973
|
|
Wins ¡°7 Sekretar Skoja¡± Prize for Rhythm5, Galleria Nova, Zagreb, Croatia.
|
|
|
1973 - 1975
|
|
Teaches at the Academy of Fine Arts, Novi Sad, Yugoslavia.
|
|
|
1975
|
|
Meets Ulay in Amsterdam.
|
|
|
1973 - 1976
|
|
Performances, video, films.
|
|
|
1976
|
|
Starts relation worksWith Ulay. Decides to make permanent movements and detours.
|
|
|
1980 - 1983
|
|
Travels in Central Australian Sahara, Thar And Gobi Deserts.
|
|
|
1985
|
|
First visit to China.
|
|
|
1986
|
|
Second visit to China.
|
|
|
1987
|
|
Third visit to China.
|
|
|
1988
|
|
The Great Wall Walk (30 April-27 June). Afterwards begins to work and exhibit individually.
|
|
|
1990 - 1991
|
|
Visiting professor at the Hochschule der Kunst,
|
|
|
1992 - 1996
|
|
Professor at the Hochschule f¨¹r Bildende K¨¹nste, Hamburg. Completes two major theater performances:Biography and Delusional.
|
|
|
1997
|
|
Winner of the Golden Lion Award for Best Artist, XLVII Biennale di Venezia, Venice.
|
|
|
1998
|
|
Board Member of the Contemporary Art Center, Kitakyushu, Japan.
|
|
|
2001
|
|
Artist in residence at the Atelier Calder, Sach¨¦, France.
|
|
|
2003
|
|
Niedersachsischer Kunstpreis 2003, Germany. New York Dance and Performance Award (The Bessies), U.S.A.
|
|
|
1997 - 2004
|
|
Professor at the Hochschule f¨¹r Bildende K¨¹nste, Braunschweig, Germany.
|
|
|
2004
|
|
American Art Critic Association Award. Honorary Doctorate Degrees from The School of the Art Institute of Chicago, U.S.A.
|
|
|
|
|
Lives in Amsterdam and New York.
|
|
|
2008 |
|
Martian Museum of Terrestrial Art, Barbican, London (England) |
|
|
2008 |
|
WACK: Art and the Fiminist Revolution, P.S.1 Contemporary Art Center, Long Island |
|
|
2007 |
|
Gehen bleiben, Kunstmuseum Bonn, Bonn |
|
|
2007 |
|
Not Closed, beaumontpublic, Luxembourg |
|
|
2006 |
|
Renegades 25 Years of Performance at Exit Art, Exit Art, New York City, NY |
|
|
2006 |
|
Primitivism Revisited: After the End of an Idea, Sean Kelly Gallery, New York City, NY |
|
|
2005 |
|
The Biography Remix [Performances], Avignon Theatre Festival, Avignon, France (solo) |
|
|
2005 |
|
Photographies et Objets/Count On Us, Galerie Guy Bärtschi, Geneva, Switzerland (solo) |
|
|
2005 |
|
(Re)Presenting Performance [Symposium], Solomon R. Guggenheim Museum, New York (solo) |
|
|
2005 |
|
Self Portrait with Skeleton [Performance], Art Basel, Art Unlimited, Basel, Switzerland (solo) |
|
|
2005 |
|
Seven Easy Pieces [Performances], Solomon R. Guggenheim Museum, New York (solo) |
|
|
2005 |
|
Another Expo: Beyond the Nation-State, White Box, New York |
|
|
2005 |
|
The Artist’s Body. Then and Now, Centre d’Art Contemporain, Genève, Switzerland |
|
|
2005 |
|
CCA Kitakyushu Artist’s Books, Christophe Daviet-Thery, Paris |
|
|
2005 |
|
Donna Donner, Palazzo Strozzi, Florence, Italy |
|
|
2005 |
|
DreamingNow, The Rose Art Museum, Brandeis University, Waltham, Mass. |
|
|
2005 |
|
Art in Eastern Europe, Karl Ernst Osthaus-Museum, Hagen, Germany |
|
|
2005 |
|
Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, New York |
|
|
2005 |
|
Fragments of Time, Yellow Bird Gallery, Newburgh, New York |
|
|
2005 |
|
The Gesture, Macedonian Museum of Contemporary Art, Thessaloniki, Greece; Quarter, Center for Contemporary Arts, Florence, Italy |
|
|
2005 |
|
etting Emotional, The Institute of Contemporary Art, Boston, MASS. |
|
|
2004 |
|
Biography Remix, Fondazione Roma Europa, Rome, Italy (solo) |
|
|
2004 |
|
Performing Body: Video Works By Marina Abramovic, The Speed Art Museum, Louisville, KY (solo) |
|
|
2004 |
|
Loop Performance, (IPG) P.S.1 Contemporary Art Center, New York, NY (solo) |
|
|
2004 |
|
The Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, The Netherlands (solo) |
|
|
2004 |
|
Student Body, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain (solo) |
|
|
2005 |
|
Abramovic, Marina et. al. “ MoMA: How to Look at Modern Art,” The Brooklyn Rail, February 2005, pp. 20-21. |
|
|
2005 |
|
Amy, Michaël. “You talkin’ to me?,” DITS: Violence, Vol. III, No. 5, Winter-Spring 2005, pp. 18-31. |
|
|
2005 |
|
Bellet, Harry, “Le marché de l’art en spectacle à la Foire de Bâle,” Le Monde, June 18th, 2005, p. 29. |
|
|
2005 |
|
Bergeron, Chris, “Waking Dreams,” The Daily News, Sunday, March 6th, 2005, C1, C10. |
|
|
2005 |
|
Bishop, Claire. “Fairer Fare,” ArtForum Online, June 15, 2005. |
|
|
2005 |
|
Boyce, David B., “Brandeis gallery hosts provocative ‘Dreaming’ exhibit,” Sunday Standard-Times, March 13th, 2005. |
|
|
2005 |
|
Breerette, Geneviève, “L’insoutenable Marina Abramovic,” Le Monde 59e Edition du Festival d’Avignon, Tuesday, July 5th, 2005, p. 10. |
|
|
2005 |
|
Castle, Terry. “Desperately Seeking Susan,” London Review of Books, March 17,2005. |
|
|
2005 |
|
Cesare, Nikki T., “(Re)Performing the Score,” NY Arts, Vol. 10, No. 7.8, July/August 2005, pp. 22-23. |
|
|
2005 |
|
Dailey, Meghan. “Feel Like Italian,” Art + Auction, Volume XXVII, No. 9, May 2005, p. 179. |
|
|
2005 |
|
“Death and the maiden,” The Art Newspaper: Art Basel Edition, June 14, 2005, p. 1. |
|
|
2005 |
|
De Baecque, Antoine, “Une vie de performances,” Libération Online, Wednesday, July 13, 2005. |
|
|
2005 |
|
“Dreaming Now,” Sculpture, April 2005. |
|
|
2005 |
|
Edgers, Geoff, “Trying out sleep sculpture gives him pause,” The Boston Globe,Friday, February 4th, 2005, C1, C16. |
|
|
2005 |
|
Edgers, Geoff, “Perchance To Dream,” The Boston Globe, Friday, February4th, 2005, C1, C16. |
|
|
2005 |
|
“Everybody at Art 36 Basel,” Artnet, June 20, 2005. |
|
|
2005 |
|
Hopkins, Randi, “I know what girls like,” The Boston Phoenix, Wednesday, January 12th, 2005. |
|
|
2005 |
|
“Le Guide Culturelle: Vidéo du Corps à l’Ouvrage,” Elle, June 27 2005, p. 24. |
|
|
2005 |
|
Maddocks, Phil, “Make it a date in the Dream Bed,” Natick Bulletin & TAB, February 25th, 2005. |
|
|
2005 |
|
“Marina Abramovic: Autoportrait au Squelette,” Beaux Arts Magazine, June 2005, p. 112. |
|
|
|
|
|
|
|
|