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1945
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Born in Salt Lake City
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1966 - 1968
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University of Utah
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1969
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San Francisco Art Institute
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1973
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University of Southern California, Los Angeles
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Lives and works in Altadena, California
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2007 |
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National Gallery of Victoria, 'Guggenheim Collection: 1940s to Now. New York – Venice – Bilbao – Berlin', Melbourne/AU |
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2007 |
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Deste Foundation, 'The Fractured Figure', Athens/GR |
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2007 |
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Museum of Modern Art, 'Live/Work: Performance into Drawing', New York NY |
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2007 |
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De Hallen Haarlem, 'Nothing Else Matters', Haarlem/NL |
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2007 |
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Fine Art Fair Frankfurt 2007, Frankfurt/DE |
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2007 |
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Domus Artium 2002, 'IDYLLE', Salamanca/ES |
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2007 |
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Kunsthalle Mannheim, '100 Jahre Kunsthalle Mannheim', Mannheim/DE |
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2007 |
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10. Triennale Kleinplastik Fellbach, 'Bodycheck', Fellbach/DE |
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2007 |
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Kunstpalast Düsseldorf, 'Die Kunst zu Sammeln', Düsseldorf/DE |
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2007 |
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Kunstverein Braunschweig, 'Kunst aus Los Angeles der 60er bis 90er Jahre', Braunschweig/DE |
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2007 |
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Gagosian Gallery, 'Fit to Print – Printed Media in recent Collage', New York NY |
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2007 |
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Getty Center, 'Evidence of Movement', Los Angeles/CA |
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2007 |
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Museum on the Seam, 'Bare Life', Jerusalem/IL |
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2007 |
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Museum van Hedendaagse Kunst, 'Who’s got the big picture?', Antwerp/BE |
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2007 |
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David Zwirner, 'A Point in Space is a Place for an Argument', New York NY |
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2007 |
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Vanhaerents Art Collection, 'Disorder in the House', Brussels/BE |
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2007 |
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Christchurch Art Gallery, 'Reboot – The Jim Barr and Mary Barr Collection', Christchurch/NZ |
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2007 |
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Hamburger Bahnhof, 'There is never a stop and never a finish. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. In memoriam Jason Rhoades', Berlin/DE |
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2007 |
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Barbican Center, 'Panic Attack! Art in the Punk Years', London/GB |
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2007 |
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Kunsthalle Wien & MUMOK, Museum Moderner Kunst Stiftung Ludwig, 'Dream & Trauma – Works from the Dakis Joannou Collection, Athens', Vienna/AT |
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2007 |
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Maccarone Gallery, 'Paul McCarthy’s Chocolate Factory', New York, NY (solo) |
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2007 |
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S.M.A.K. Stedelijk Museum voor Actuele Kunst, 'Paul McCarthy – Head Shop/Shop Head', Gent/BE (solo) |
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2007 |
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The Essl Collection, 'Paul McCarthy: Tokyo Santa 1996/2004', Klosterneuburg/AT (solo) |
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2007 |
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Middelheim Sculpture Museum, 'Paul McCarthy – Air Born / Air Borne / Air Pressure', Antwerp/BE (solo) |
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2007 |
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Hauser & Wirth Zürich, 'Paul McCarthy – Damon McCarthy. Portfolios', Zurich/CH (solo) |
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2007 |
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ARoS Aarhus Museum of Art, 'Paul McCarthy – Head Shop/Shop Head', Aarhus/DK (solo) |
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2007 |
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European Media Art Festival, 'Final Cut – Medienkunst und Kino', Osnabrück/DE |
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2006 |
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Moderna Museet, 'Paul McCarthy’, Stockholm |
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2005 |
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Haus der Kunst, 'Paul McCarthy', Munich/D |
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2004 |
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CAC, 'Paul McCarthy', Malaga/ES |
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2004 |
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Van Abbemuseum, 'Paul McCarthy. Brain Box – Dream Box', Eindhoven/NL |
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2003 |
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Hauser & Wirth London, Paul McCarthy, Piccadilly Circus, London/GB |
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2003 |
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Lyon Biennal, Lyon/F |
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2003 |
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Tate Modern, 'Paul McCarthy at Tate Modern', London/GB |
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2002 |
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Galerie Hauser & Wirth, 'Paul McCarthy & Jason Rhoades. Shit Plug', Zurich/CH |
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2002 |
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Luhring Augustine Gallery, 'Paul McCarthy. Clear Thoughts', New York NY |
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2002 |
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De Hallen, Frans Halsmuseum, 'Paul McCarthy. Videos und Fotografien', Haarlem/NL |
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2002 |
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Butler Gallery, 'Paul McCarthy. Videos', Kilkenny/IRE |
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2002 |
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Astrup Fearnly Museum of Modern Art, 'Passenger. The Viewer as Participant', Oslo/N |
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2002 |
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Essor Gallery Limited, 'Mapping The Process', London/GB |
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2002 |
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Kunstraum Innsbruck, 'Plus Ultra', Innsbruck/A |
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2001 |
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Museo Rufino Tamayo, 'Let's Entertain: Life's Guilty Pleasures', Mexico City |
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2001 |
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Harvard University Art Museum, 'Extreme Connoisseurship', Cambridge MA |
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2001 |
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Chac Mool Gallery, 'Group Show', West Hollywood CA |
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2001 |
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Tate Liverpool, 'Paul McCarthy', Liverpool/GB |
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2001 |
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Galerie Hauser & Wirth, 'Paul McCarthy, Pirate Drawings', Zurich/CH |
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2001 |
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Kunstverein Hamburg, 'Paul McCarthy. Videos und Fotografien', Hamburg/D |
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2001 |
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Villa Arson, 'Paul McCarthy', Nice/F |
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2001 |
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Deitch Projects, 'Paul McCarthy The Garden', New York NY |
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2001 |
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Public Art Fund (IBM Building), 'The Box', New York NY |
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2001 |
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Luhring Augustine Gallery, 'Paul McCarthy', New York NY |
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2000 |
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MOCA Geffen Contemporary, 'Heidi File', Los Angeles CA |
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2000 |
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MOCA, 'Paul McCarthy', Los Angeles CA |
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2000 |
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Patrick Painter, Inc., 'Heidi File', Santa Monica CA |
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2000 |
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George's, 'The Fashion Show', Los Angeles CA |
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2000 |
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New Museum of Contemporary Art, 'Paul McCarthy', New York NY |
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2000 |
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Barbara Gladstone Gallery, 'Drawings 2000', New York NY |
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2000 |
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Galeria OMR, 'Pinturas amuebladas', Mexico |
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2000 |
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Ikon Gallery, 'Lost', Birmingham/GB |
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1999 |
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Sammlung Hauser und Wirth in der Lokremise St. Gallen, ‘Dimensions of the Mind', St. Gall/CH |
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1998 |
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Museum of Contemporary Art, ‘Out of Actions: Between Performance and the Object, 1949-1979', Los Angeles |
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2008 |
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Barret, Terry, 'Why is that Art?. Aesthetics and criticism of Contemporary Art', Oxford, University Press, 2007, pp. 186-197, ill. |
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2007 |
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Franke Melanie, Knapstein, Gabriele, 'there is never a stop and never a finsh. In memoriam Jason Rhoades', Cologne: Dumont, 2007, ill. (exh. cat.) Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin, claassen/ Ulstein Buchverlage, 2007, pp. 74-82 |
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2006 |
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Lewis, Angharad, '2006 - A Year in Exhibitions', Grafik, London, December 1, 2006, pp. 80-83, ill. |
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2006 |
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Hultkrans, Andrew, Schambelan, Elizabeth (eds.), 'Where are we going?' Palazzo Grassi, Skira editore PA, Italy, 2006, pp. 238-9, ill. (exh. cat) |
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2006 |
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Mezil, Eric (ed.), 'Figures de l'acteur. Le Paradoxe du Comedian', Collection Lambert en Avignon, Editions Gallimard, Paris, 2006, p. 218, ill. (exh. cat.) |
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2006 |
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Af Petersens, Magnus; McCarthy Paul (eds.), 'HEAD SHOP/SHOP HEAD', Germany, Steidl/Moderna Museet, 2006, ill. (exh. cat) |
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2006 |
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Hopkins, David, 'Dada's Boy's', Fruitmarket Gallery, Edinburgh, 2006, pp 77-84, ill. (exh. cat) |
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2006 |
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Nemitz, Barbara, 'Pink: The Exposed Color in Contemporary Art and Culture', Ostfildern-Ruit/GER: Hatje Cantz, 2006, pp. 216-219, ill. |
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2006 |
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Cattelan, Gioni, Subotnick (eds.), 'Of Mice and Men - (4th Berlin Biennial)', Germany: Hatje Cantz/KW Berlin, 2006, pp.174-175 ill. (exh. cat) |
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2006 |
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Bonami. Francesco. Canarutto, Sarah, 'Infinite Painting', Villa Manin Centro d' Arte Contemporanea, Italy, 2006, pp.114-177, ill. [exh. cat.] |
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2006 |
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Hol, Michael Juul, Kold, Anders (eds.), 'Sip My Ocean', Denmark: Louisiana Museum of Art, 2006, pp. 94-99, ill. (exh. cat) |
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2006 |
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Grenier, Catherine (ed.), 'Los Angeles - 1955-1985', Paris: Editions du Centre Pompidou, 2006, pp. 217, 239, 262, 279, 278, 331 ill.(exh. cat) |
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2005 |
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Rosenthal, Stephanie [ed.), 'LaLa Land Parody Paradise', Ostfildern-Ruit: Haus der Kunst/Hatje Cantz Verlag, 2005, ill (exh. cat.) |
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2005 |
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'Figur Skulptur', [texts by Essl, Karlheinz, Fleck, Robert, Hoffer, Andreas, Binder, Lucia], Klosterneuburg: Edition Sammlung Essl Privatstiftung, 2005, ill. (exh. cat.) |
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2005 |
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Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), 'Faites vos jeux: Kunst und Spiel seit Dada', Ostfildern-Ruit: Hatje Cantz Verlag, pp. 126¡V127, ill. (exh. cat.) |
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2005 |
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Macel, Christine (ed.), 'Dionysiac', Paris: Éditions du Centre Pompidou, 2005 (exh.cat.), ill. |
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2005 |
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Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester (et al.), 'Faces in the Crowd: Picturing Modern Life from Manet to Today', Milan: Skira, 2005 (exh. cat.), p. 237, ill. |
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2005 |
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Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW, Vol. 2', Cologne: Taschen, 2005, pp. 276-279, ill. |
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2005 |
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Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern-Ruit: Hatje Cantz Verlag, 2005, p. 66, p. 244, p. 253, ill. |
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2005 |
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Kraus Chris, Tumlir Jan, McFadden Jane (ed.), 'LA Artland', London: Black Dog Publishing Limited, 2005, pp. 204¡V205, ill. |
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2005 |
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Nobus, Dany, Quinn Malcolm, Knowing Nothing, 'Staying Stupid', London/New York: Routledge, 2005, ill. (cover) |
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2005 |
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Stiles, Christine, 'Paul McCarthy: Kristine Stiles in Conversation' [interview], Press PLAY: Contemporary Artists in Conversation, London: Phaidon Press Limited, 2005, pp. 449-461, ill. |
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2005 |
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Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra: Jenseits der Moderne?/Beyond Modernity?', Frankfurt am Main: Revolver, 2005, pp. 83-87, ill. |
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2004 |
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La maison rouge - fondation Antoine de Galbert (ed.), 'Central Station: La collection Harald Falckenberg', Paris: La maison rouge, Fage éditions, 2004, pp. 62-63, ill. |
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2004 |
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Karabelnik, Marianne (ed.), 'Stripped Bare: The Body Revealed in Contemporary Art', New York: Merrell, 2004, pp. 244-249, ill. |
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2004 |
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McCarthy, Paul, 'Tokyo Santa' [artist's book], Cologne: Verlag der Buchhandlung Walther König, 2004 |
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2004 |
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Meyer-Hermann, Eva, Centro de Arte Contemporáneo de Málaga (ed.), 'Paul McCarthy: Brain Box Dream Box', Málaga: Ayuntamiento, 2004 (exh. cat.) |
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2004 |
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Kellein, Thomas, Lampe, Angela (ed.), 'Das grosse Fressen: Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, pp. 82-87, ill. (exh. cat.) |
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2004 |
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Clair, Jean (ed.), 'The Great Parade', New Haven/London: Yale University Press/Ottawa: National Gallery of Canada, 2004 (exh. cat.), p. 40, pp. 164-165, ill. |
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2004 |
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Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (ed.), .cremers.haufen, Bielefeld: Kerber Verlag, 2004, p. 208, p. 233, ill. (exh. cat.) |
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2003 |
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Biesenbach, Klaus, London, Barbara (ed.), 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.) |
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2003 |
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Dziewior, Yilmaz (ed.), 'Paul McCarthy: Video', Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.) |
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2003 |
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Espai d’art Contemporanei de Castello, 'Micropolitics: Art and Everyday Life', Vanecia: Espai d’art Contemporanei de Castello, 2003 (exh. cat.) |
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2003 |
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Raspail, Thierry (ed.), Avant, Dijon: Les Presses du Réel/Fage Éditions, 2003, pp. 100–105, pp. 188–199, ill. (exh. cat.) |
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2003 |
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Tate Modern, Paul McCarthy at Tate Modern, London: Tate Publishing, 2003 (exh. cat.) |
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2003 |
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Unterdörfer, Michaela, Winzen, Matthias (ed.), (In the Search of) The Perfect Love, Ostfildern-Ruit: Hatje Cantz Publishers, 2003, pp. 96–125, ill. (exh. cat.) |
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2003 |
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Dercon, Chris, Weski, Thomas (ed.) Partners, Cologne: Verlag der Buchhandlung Walther König, 2003 |
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2003 |
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Engelbach, Barbara, Museum für Gegenwartskunst Siegen (ed.), McCarthy, Paul, Hammer, Oranges, Apple [Artist’s book] Frankfurt am Main: Revolver Verlag 2003 |
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2003 |
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Jouannais, Jean-Yves, L’Idiotie: Art, vie, politique – méthode, Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270 |
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2003 |
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McCarthy, Paul, “Témoignages”, Musée d’Art moderne de la Ville de Paris (ed.), Francis Picabia: Singulier Idéal, Paris/Arles: Actes Sud, 2003 |
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2002 |
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Butler Gallery (ed.), Paul McCarthy: Video tapes, Kilkenny: Butler Gallery, 2002 (exh. cat.) |
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2002 |
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CAN (ed.), “Sans consentement”, Crash, no. 22, Paris, 2002, pp. 84–85, ill. (exh. cat.) |
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2002 |
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De Pury & Luxembourg (ed.), Ahead of the 21st Century: The Pisces Collection, Ostfildern-Ruit: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.) |
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2002 |
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Neues Museum Weserburg (ed.), Kunst nach Kunst, Bremen: Neues Museum Weserburg, 2002, p. 148–152, ill. (exh. cat.) |
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2002 |
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Schirn-Kunsthalle Frankfurt/Hollein, Max, Grunenberg, Christoph (ed.), Shopping: 100 Jahre Kunst und Konsum, Ostfildern-Ruit: Hatje Cantz, 2002, p. 244, ill. (exh. cat.) |
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2002 |
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Unterdörfer, Michaela (ed.), The House of Fiction: Sammlung Hauser und Wirth/3, Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.) |
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2002 |
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Villa Arson (ed.), Paul McCarthy, Nice: Pinocchio, 2002, ill. (exh. cat.) |
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2002 |
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Archer Michael, Art Since 1960: New Edition, London: Thames & Hudson, 2002 |
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2002 |
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Beil, Ralf, Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades, Cologne: Dumont Verlag, 2002 |
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2002 |
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Fundacion “la Caixa”, ___ [Catalogue Raisonne – Collection of Fundacion “la Caixa”], Barcelona: Grafiques Iberia, 2002 (2 volumes) |
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2002 |
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Luc, Virginie, ART à MORT, Paris: Éditions Leo Scheer, October 2002 |
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2002 |
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Morris, Simon, Sinning: De-centering the Self [no publisher-art piece, book dedicated to Paul McCarthy], November 2002 |
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2001 |
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Association le printemps de septembre (ed.), Printemps de septembre: Théâtres du Fantastique, Arles/Paris: Éditions Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.) |
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2001 |
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Des Moines Art Center (ed.), My Reality: Contemporary Art and the Culture of Japanese Animation, Iowa: Des Moines Art Center, 2001, ill. (exh. cat.) |
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2001 |
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Haenlein, Carl, Ahrens, Carsten (ed.), Ziviler Ungehorsam: Sammlung Falckenberg, Hanover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh.cat.) |
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2001 |
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Secession (ed.), Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis, Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.) |
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2001 |
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Parfait, Françoise, Vidéo: Un art contemporain, Paris: Édition du Regard, 2001 |
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2001 |
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Pellegrin, Julie, “L’Objet humain: Simulation et manipulation dans l'oeuvre de Paul McCarthy”, Centre Choréographique National de Grenoble (ed.), Corps/objet: Sur le rapport du corps artificiel, Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill. |
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2001 |
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Sties, Kristine, Uncorrupted Joy: Art Actions, Art History and Social Values, 2001 |
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2001 |
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Wege, Astrid, Art Now, Cologne: Taschen, 2001, pp. 106–107, ill. |
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2001 |
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___, A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995, New York: Harry N. Abrams, 2001 |
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2000 |
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Capc – Musée d’art contemporain de Bordeaux (ed.), Présumés innocents: L'art contemporain et l'enfance, Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.) |
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2000 |
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Dickhoff, Wilfried, König, Kasper (ed.), In Between: Das Kunstprojekt der EXPO 2000, Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.) |
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2000 |
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IKON Gallery (ed.), Lost, Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.) |
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2000 |
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Kunstmuseum Liechtenstein (ed.), Kunstmuseum Liechtenstein, [text by Friedemann Malsch, Christine Meyer-Stoll + et al.], Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.) |
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2000 |
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Meyer-Hermann, Eva (ed.), Paul McCarthy “Dimensions of the Mind”: The Denial and the Desire in the Spectacle, Cologne: Oktagon/ St. Gallen: Sammlung Hauser und Wirth, 2000, ill. (exh. cat.) |
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2000 |
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New Museum of Contemporary Art (ed.), Paul McCarthy, New York/Ostfildern-Ruit: New Museum of Contemporary Art/Hatje Cantz, 2000, ill. (exh. cat.) |
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2000 |
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The Power Plant Contemporary Art Gallery (ed.), Mike Kelley and Paul McCarthy Collaborative Works [text by Phillip Monk, Ann Goldstein + et al.], Toronto, 2000 (exh. cat.) |
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2000 |
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Walker Art Center (ed.), Let's Entertain: Life's Guilty Pleasures, Minneapolis: Walker Art Center, 2000, ill. (exh. cat.) |
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2000 |
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Barth, Miles, Merritt, Raymond (ed.), A Thousand Houndes, Cologne: Taschen, 2000 |
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2000 |
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Bauman, Gillick, Grosz, Groys, Kay, Rushkoff [et al.], Fresh Cream: Contemporary Art in Culture, London: Phaidon Press Limited, 2000, p. 394 |
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2000 |
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Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (ed.), Uniform Order and Disorder, Milan: Edizioni Charta/Pitti Immagine, 2000, pp. 244–245, ill. |
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2000 |
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Buck, Louisa, Moving Targets 2: A User’s Guide to British Art Now, London: Tate Publishing, 2000 |
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2000 |
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Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York: Harry N. Abrams, Inc., 2000 |
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2000 |
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Franzen, Brigitte, Die Vierte Natur: Garten in der zeitgenössischen Kunst, Cologne: Verlag der Buchhandlung Walther König, 2000 |
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2000 |
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Guasch, Anna Maria, El arte último del siglo XX: Del posminimalismo al lo multicultural, Madrid: Alianza Forma, 2000, cover, ill. |
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2000 |
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Montano, Linda M., Performance Artists Talking in the Eighties, Barkeley: University of California Press, 2000 |
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2000 |
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Sanders, Mark, Star Culture, London: Phaidon Press Limited, 2000 |
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2000 |
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Warr, Tracey, Jones, Amelia (ed.), The Artist’s Body, London: Phaidon Press Limited, ill. |
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2000 |
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___, Dazed/Confused, London: Booth-Clibborn Editions, 2000 |
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Links to further information |
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