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1973
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Born San Francisco, USA
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1995
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B.A., Humanities, magna cum laude, Phi Beta Kappa, Yale University
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1999
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Artist in Residence, Cite Internationale des Arts, Paris
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2000
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M.F.A., cum laude, University of California, Los Angeles
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2002
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Artist in residence, Delfina Studios Trust, London
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2007
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Artist in residence, The Watermill Center, New York
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2008
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Wellcome Trust Arts Award, London
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Lives and works in London
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2006 Regeneration, (a collaboration with Zeena Parkins), Tate Modern, Turbine Hall, London
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2006 Object Relations, Hayward Gallery & Art Basel Miami Beach
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2006 The Wedding will not take Place, Poor Man’s Expression, Kino Arsenal, Berlin
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2004 Spring is the Future, Concert in the Egg, curated by Emma Robertson And Jo Stella-Sawicka, The Ship, London
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Talks, Symposia & Panel Discussions
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2008 Lecture and Screening, CCA: California College of the Arts, San Francisco
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2008 MFA Seminar, Translations, (with Ammiel Alcalay and Paul La Farge), key lecture: Synasethesia and the Translations of the Senses, Bard College, New York
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2008 Lecture, Art and Perception, Movement and Stasis, (with Colin Blakemore), University of Bristol, UK
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2008 Lecture, Royal College of Art, MFA programme in photography, 30 October 2008
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2007 Talk and Screening, St John’s College, Oxford
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2007 Lecture, Slade School of Fine Art, University College London
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2007 Lecture, Anthropology Department, Goldsmiths College, University of London
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2006 Artist’s Talk, (with Peter Welz, moderated by Bill Arnig), MIT List Visual Arts Center, Cambridge
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2006 Lecture and Screening, Secession, Vienna
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2006 Lecture and Screening, Dance and Art in London, Suzanne Dellal Center, Tel Aviv
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2006 Daria Martin, (lecture about the works affinities with Joseph Cornell and Emily Dickinson), Arnolfini, Bristol
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2006 Lecture and Screening, The Royal College of Art, London
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2006 Four Women, a talk on Anna Halprin, Carolee Schneemann, Zeena Parkins and Nina Fog, part of the symposium Feminist Legacies and Potentials in Contemporary Art Practice, sponsored by If I can't dance I don't want to be part of your revolution, De Appel, Amsterdam
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2006 British Art Talks: Music (lecture and panel discussion with Mark Leckey and Ryan Gander), Tate Britain, London
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2006 Lecture and Screening, Bonniers Konsthall, Stockholm
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2005 Lecture and Screening, Swiss Centre, Paris
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2005 The New Moderns: Second Annual Conference, The Showroom, London
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2005 The New Female Voyeurism (screening and panel discussion), The Institute of Contemporary Arts, London
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2005 bfi and Tate: International Symposium: By Design: Film Fashion Art Architecture (screening and talk), Tate Modern, London
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Selected Screenings and Broadcasts
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2008 11. Clair-obscur Film Festival 2008, Basel, Switzerland
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2008 NOTHING is exciting. NOTHING is sexy…, Museum Moderner Kunst, Vienna
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2008 “Conversation with Colin Blakemore,” The Material World, BBC Radio 4, 13 November 2008
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2008 The Young and Evil, film and video selected by Andrea Geyer, William E. Jones, Daria Martin, Carlos Motta, Karol Radziszewski, Bruce Yonemoto and Akram Zaatari, tank.tv, July – September 2008, Tate Modern, 20 September 2008
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2007 Museum of Modern Art, New York
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2007 Never Spill, CCA Glasgow
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2006 Loneliness and the Modern Pentathlon, 59th Locarno International Film Festival
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2006 The Artists Cinema, Frieze Art Fair, London
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2006 Loneliness and the Modern Pentathlon, Tate Modern, London
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2005 Artists’ Cinema, Frieze Art Fair, London
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2005 Daria Martin: Screenings, Casco Projects, Utrecht
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2005 Flesh and Fantasy, (film night curated by Daria Martin), Tate Britain, London
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2005 Ed Ruscha Film Night, Museum of Contemporary Art, Los Angeles
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2005 Describing Form, (screenings curated by Lucy Reynolds for LUX, touring exhibition), The Henry Moore Institute, Tate Britain, London, and others
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2002 - 2005 Revolver, (a series of short films by artists, curated by Carmen Zita, broadcast weekly on the European arts Channel) Expo 24X7
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Arts Council England, London
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2009 |
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3M Commission, Touring Exhibition. MCA Chicago, New Museum, New York, Hammer Museum, Los Angeles (solo) |
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2008 |
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Maureen Paley, London (solo) |
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2008 |
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Manifesta 7, Trentino, South Tyrol, Italy |
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2008 |
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PERFORMA07, New York |
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2007 |
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Continuous Project Altered Monthly, curated by Jens Hoffmann, CCA Wattis Institute for Contemporary Arts, San Francisco (solo) |
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2007 |
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S.M.A.K., Ghent (solo) |
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2007 |
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Wolfgang von Kempelen. Man-[in the]-Maschine, ZKM Medienmuseum, Karlsruhe. Earth?, Galerie Giti Nourbakhsch, Berlin |
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2006 |
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ACTION ed., fracpaca, Marseille |
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2006 |
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Stedelijk Museum, Amsterdam (solo) |
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2006 |
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Wintergarden, Castlefield Gallery, Manchester (solo) |
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2006 |
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A world of pleasures to win, (Daria Martin and Bernd Kraus), curated by Melanie Ohnemus, dreizehnzwei, Vienna |
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2006 |
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Choreographic Turn, (Daria Martin and Peter Welz), MIT List Visual Arts Center, Cambridge |
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2006 |
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Poor Man’s Expression (reading and film projection as part of the group exhibition), Kino Arsenal, Berlin |
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2006 |
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Protections, Kunsthaus Graz, Austria |
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2006 |
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Tate Triennial, Tate Britain, London |
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2006 |
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Women of Europe, City of St Tropez |
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2006 |
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Uncertain States of America, Touring Exhibition: Bard Art Museum Bard College, New York, Reykjavik Art Museum, Hernig Art Museum, Denmark, Astrup Fearnley Museum of Modern Art, Oslo, Serpentine Gallery, London, 2 Moscow Biennial for Conteporary Art, Moscow (2007), Galerie Rudolfinum, Prague |
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2005 |
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The British Art Show 6, The Baltic Centre for Contemporary Art, Gateshead |
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2005 |
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A Certain Tendency in Representation, Thomas Dane Gallery, London |
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2005 |
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Emblematic Display, curated by Catherine Wood, Institute of Contemporary Arts, London |
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2005 |
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U-Move, Galeria Comunale d’Arte Contemporanea di Monfalcone, Italy |
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2005 |
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Beck’s Futures, touring exhibition: Institute of Contemporary Arts, London, and others |
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2005 |
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Soft Materials, The Showroom, London (solo) |
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2005 |
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Five Fights, Kunstverein in Hamburg, Hamburg (solo) |
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2005 |
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Daria Martin, Kunsthalle Zürich, Zürich (solo) |
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2005 |
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Man and Mask, Collective Gallery, Edinburgh (solo) |
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2005 |
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Daria Martin, Künstlerhaus Stuttgart, Stuttgart (solo) |
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2004 |
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Daria Martin: Closeup Gallery, Hotel, London (solo) |
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2004 |
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Sophie Macpherson and Daria Martin, Glasgow Sculpture Studios, Glasgow |
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2004 |
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In the Palace at 4 a.m., curated by Catherine Wood, Alison Jacques Gallery, London |
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2004 |
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100 Artists See God, curated by John Baldessari and Meg Cranston, touring exhibition: Institute of Contemporary Arts, London, and others |
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2004 |
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Feast of Silenus, Edinburgh College of Art, Edinburgh |
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2003 |
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The Moderns, Museo Castello di Rivoli, Turin |
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2003 |
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Paris is Burning, Entwistle Gallery, London |
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2003 |
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Bootleg, Spitalfields Market, London |
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2003 |
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The Fragile Underground, curated by David Thorpe, Bart Wells Institute, London |
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2003 |
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Daria Martin: Art Now Lightbox, Tate Britain, London (solo) |
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2003 |
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Closeup Gallery, Analix Forever Gallery, Geneva (solo) |
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2002 |
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Al Respecto 7, Rafael Tous Foundation, Barcelona |
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2001 |
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Birds, Gallery Two, Andrea Rosen Gallery, New York (solo) |
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2001 |
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Tirana Biennale, National Gallery, Tirana |
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2001 |
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Sharing Sunsets, Tucson Museum of Contemporary Art, Tucson |
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2001 |
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Not at Home, Solitude Gallery, Stuttgart. |
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2000 |
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Sentimental Education, curated by David Rimanelli, Deitch Projects, New York |
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2000 |
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And She Will Have Your Eyes, Analix Forever Gallery, Geneva |
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2000 |
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New School, Works on Paper, Los Angeles |
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2000 |
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M.F.A. Thesis Show, UCLA New Wight Art Gallery, Los Angeles |
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1999 |
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Black Dragon Society, Black Dragon Society, Los Angeles |
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2008 |
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Bonami, Francesco, Performa 07, Domus, January 2008 |
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2008 |
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Case Study: Harpstrings and Lava and Minotaur by Daria Martin, Frieze, November-December 2008, pp.158-159 |
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2008 |
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Keeping Pace with Art Itself: The Three M Project at the New Museum, www.db-artmag.com, Issue 3, 2008, p.7 |
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2008 |
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Lack, Jessica, Daria Martin, Guardian Guide, 1st November 2008, p.36 |
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2008 |
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Mclean-Ferris, Laura, Exhibitionist: What to see this week, guardian.co.uk, 14 November 2008 |
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2008 |
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Myers, Julian, Pioneers / Passengers, Frieze, January 2008, p.181 |
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2008 |
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Focus London, Artists Dictionary: Daria Martin, Flash Art, October 2008, p.95 |
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2008 |
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O’Reilly, Sally, Reviews: Daria Martin, Time Out, 13-19 November 2008, pg. 69 |
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2008 |
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Temposhark, Daria Martin at Maureen Paley, kctv.co.uk, 24 November 2008 |
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2008 |
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Walsh, Maria, Daria Martin, Art Monthly, December 2008, pp.33-34 |
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2008 |
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Formulas For Now, Formulated by Hans Ulrich Obrist, Thames & Hudson, London, 2008, p.110 |
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2007 |
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Fresh Moves: New Moving Images From The UK, Tank TV, 2007, pp.40-41 |
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2007 |
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Ice Cream, text by Jens Hoffmann, Phaidon Press, pp 240-243 |
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2007 |
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Fresh Moves: New Moving Images From the UK (DVD), Tank Form, London |
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2007 |
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Carolee Schneemann (interview with Daria Martin), Pierre Menard Gallery, 2007 |
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2007 |
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Auslander, Philip, Previews: Performa07, Artforum, September 2007, p.158 |
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2007 |
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Buck, Louisa, Daria Martin: just wants to dance, Art Newspaper, 7 December 2007 |
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2007 |
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Sharpe, Chris, Book: Fresh Moves, Flash Art, October 2007, p.66 |
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2007 |
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Davies, Lucy C, One to Watch, artkrush.com, 5 September 2007 |
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2007 |
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Kennedy, Alexander, Never Still, The List, 16 February 2007, p89 |
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2007 |
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Rees, Simon, 2nd Moscow Biennale, Frieze, May 2007, p. 154. Map Magazine, March 2007 |
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2007 |
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Passengers: CCA Wattis Institute for Contemporary Art, e-flux.com, 11 September 2007 |
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2007 |
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Van de Velde, Paola, Melancholieke tableaus vivants, De Telegraph, 9 November 2007 |
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2007 |
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Wittocx, Eva, Daria Martin: Harpstrings and Lava, Flash Art, November 2007, p.105 |
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2006 |
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Barrett, David, Tate Triennial, Art Monthly, May 2006 |
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2006 |
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A world of pleasures to win, Essay by Jan Verwoert, Dreizenehnzwei, Vienna, Austria |
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2006 |
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Daria Martin, Action ed, 2006 |
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2006 |
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Gillian, Melanie, On the Ground: London, Artforum, December 2006, pp. 256-258 & 350 |
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2006 |
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Sgualdini, Silvia, Fast Forwarding The Avant-Garde, UOVO, Issue 11, 2006, pp. 24-51 |
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2006 |
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Daria Martin, Kunsthalle Zürich and Kunstverein in Hamburg, jrp ringier, 2006 |
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2006 |
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Bell, Kirsty, Track and Field, Frieze, March 2006, p.126-129 |
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2006 |
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Burnett, Craig, Show me all your hidden secrets, Art Review, May 2006, p114-117 |
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2006 |
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Cumming, Laura, Tate Triennial 2006 Observer, 05 March 2006 |
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2006 |
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Dorment, Richard, Haunted by concepts of the past, Telegraph, 07 March 2006 |
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2006 |
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Grant, Simon, Periodical tables – Tate Etc, Frieze, June, July, August 2006, p248&249 |
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2006 |
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Guner, Fisun, Art Review: Uncertain States of America, Metro, 14 September 2006, p36 |
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2006 |
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Heerma van Voss, Sandra, Persephone is depressief meisje, NRC Handelsblad, 30 October 2006 |
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2006 |
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Hunt, Andrew and Mulholland, Neil, British Art (does it) Show?, Frieze, Issue 96, January - February 2006, p132-137 |
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2006 |
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Lafuente, Pablo, Zeena Parkins & Daria Martin: Regeneration, London Tate Modern, Wire, May 2006, p81 |
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2006 |
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Kenning, Dean, Uncertain States of America, Art Monthly, No. 300, October 2006, p31&32 |
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2006 |
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McQuaid, Cate, Feats (and follies) of technology, Boston Globe, 18 June 2006 |
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2006 |
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Mulholland, Neil, Spotlight, British Art Show 6, Flash Art, Volume XXXIX, Nº246, January - February 2006, p100 |
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2006 |
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Plender, Olivia, Greek Myth and the Ghosts of Bexhill-on-Sea, Tate Etc, Spring 2006 |
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2006 |
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Plender, Olivia, Periodical tables – Untitled, Frieze, June, July, August 2006. p249 |
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2006 |
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Searle, Adrian, Rebels without a cause, The Guardian, 09 December 2006, pp 18-20 |
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2006 |
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Schwabsky, Barry, Barry Schwabsky on Daria Martin, Artforum, March 2006, p264-265 |
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2006 |
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Sgualdini, Silvia, Fast Forwarding The Avant Garde: Daria Martin, Uovo Magazine, Issue 11, 2006, p24 – 51 |
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2006 |
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Widmann,Tanja, Daria Martin / Bernd Krauss, Springerin, 18 February 2006, p67 |
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2006 |
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Williams, Eliza, Tate Triennial 2006, Flash Art, May 2006, p63&64 |
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2006 |
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Don’t miss, Art Review, March 2006 |
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2006 |
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On the Ground, Artforum, January 2006, p218 |
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2006 |
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Tate Triennial, Art Review, May 2006, p128 |
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2006 |
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Tate Triennial 2006, Tate Magazine, April 2006 |
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2006 |
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The Artists’ Artists, Artforum, December 2006, p119 |
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2006 |
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Top 100 Artists, Flash Art, October 2006, pp.68-69 |
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2005 |
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Akbar, Arifa, Anti-Sensation! Artist’s ‘discreet and quiet’ work wins £26,000 Beck’s Futures Prize, The Independent, 27 April 2005 |
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2005 |
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Akbar, Arifa, Meet the new faces of the UK Art Scene, Independent, 06 June 2005 |
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2005 |
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Anderson, Hephzibah, Beck’s Futures, Evening Standard, 21 March 2005 |
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2005 |
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Anderson, James, Brighter Future, Loaded Fashion, 31 March 2005 |
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2005 |
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The British Art Show 6, Hayward Art Gallery, London |
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2005 |
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Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo, p78 - 79 |
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2005 |
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The Showroom Annual 2004-2005, The Showroom, London |
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2005 |
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U-Move, Galeria Comunale d’Arte Contemporanea di Monfalcone, Italy |
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2005 |
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Beck’s Futures, Institute of Contemporary Arts, London, p65 - 75 |
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2005 |
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Baldon, Diana, Daria Martin interviewed, tema celeste, March - April 2005, p56-57 |
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2005 |
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Behrman, Pryle, Now you see it..., Galleries, 01 April 2005, p15 |
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2005 |
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Bussel, David, Daria Martin: The Showroom (review), Artforum, May 2005, p261 |
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2005 |
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Campbell-Johnson Rachel, Critics Pick & New this week, The Times, The Knowledge, 12 March 2005, p33 |
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2005 |
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Campbell-Johnston, Rachel, Laugh, cry, or try to get it, but it’s all acreative mess. The Times, 18 March 2005 |
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2005 |
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Charlesworth, JJ, Beck’s Futures, Modern Painters, May 2005 |
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2005 |
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Cooper, Emmanuel, Shock and surprise are significant, Tribune, 15 April 2005 |
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2005 |
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Corrigan, Polly, Celluloid Sensibilities, Telegraph.com, 08 March 2004 |
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2005 |
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Cumming, Laura, Tales from a shanty town, Observer Review, 27 March 2005 |
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2005 |
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Darwent, Charles, A Tidy Show Indeed, Independent on Sunday, 20 March 2005, p25 |
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2005 |
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Davies, Serena, Futures Imperfect, Daily Telegraph, 05 March 2005, p20 |
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2005 |
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Dhillon, Kim, future fantastic, i-D, Nº55, June 2005, p36 |
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2005 |
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Gale, Iain, A truly Cosmopolitan affair, Scotland on Sunday, 02 October 2005 |
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2005 |
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Guner, Flsun, Calling the young at art, Metro, 21 March 2005 |
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2005 |
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Harrison, Eddie, Opportunity knocks, Metro Scotland, 24 May 2005 |
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2005 |
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Hacksworth, Nick, Playing to the Gallery, Evening Standard, 22 March 2005 |
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2005 |
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Herbert, Martin, Artforum, 22 March 2005 |
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2005 |
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Horlock, Mary, The other art prize: it’s cabaret night for maverick minds, Financial Times, 31 March 2005 |
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2005 |
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James, Sarah, British Art Show 6, Art Monthly, November 2005 |
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2005 |
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Januszczak, Waldemar, ...Beck’s Futures shows what a mess the ICA is in... The Sunday Times Culture, 20 March 2005 |
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2005 |
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Jeffery, Moira, Where the creative misfits in Beck’s?, Glasgow Herald, 01 June 2005 |
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2005 |
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Jinman, Richard, Smell of success: Scented art up for prize. The Guardian, 16 March 2005 |
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2005 |
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Jones, Jonathan, Visions of ‘emotional landscapes’ seduce Beck’s judges, The Guardian, 27 April 2005, p11 |
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2005 |
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Kennedy, Alexander, Beck’s Futures, The List, 09 June 2005 |
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2005 |
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Kent, Sarah, Brewer’s Droop, Time Out, 30 March 2005 |
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2005 |
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Lafuente, Pablo, Debut: Daria Martin, Art Review, January 2005 |
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2005 |
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Le Feuvre, Lisa, Daria Martin: The Showroom, (review), Art Monthly, March 2005, p27 |
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2005 |
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Leitch, Luke, Graveyard with a scent of art’s richest award, Evening Standard, 15 March 2005 |
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2005 |
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Lubbock, Tom, Instant Culture, The Independent Review, 15 March 2005 |
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2005 |
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Mottram, Jack, It’s not the winning, it’s the making art, Sunday Herald, 29 May 2005 |
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2005 |
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Noah, Sherna, Smell of Success for Arts Prize Contender, Scotsman, 15 March 2005 |
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2005 |
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O’Reilly, Sally, Daria Martin: The Showroom, (review), Modern Painters, April 2005, p110 - 111 |
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2005 |
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Panting, Lisa, Daria Martin: The Showroom (review), frieze, April 2005, p117 -118 |
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2005 |
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Searle, Adrian, Say it with flowers, The Guardian, 22 March 2005 |
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2005 |
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Sanchez, Alberto, Beck’s Futures 2005, Exit Express, March 2005 |
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2005 |
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Shannon, Sarah, A nose for novelty, Independent, 03 March 2005 |
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2005 |
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Smell of success for Arts Prize Contender, Press Association, 15 March 2005 |
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2005 |
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Tufnell, Rob, Eye Robot, Tank, January 2005 |
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2005 |
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Winslet, Jim, Sleight of Hand, Artists’ work on show for Beck’s Prize, Financial Times, 16 March 2005 |
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2005 |
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White, Ian, Art and film get spliced, Art Review, October 2005, p61-62 |
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2005 |
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Art Beat & Hit List, The List., 13 June 2005 |
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2005 |
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Awards and Shortlists, Art Review, Febuary 2005 |
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2005 |
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Beck’s Appeal, Design Week, 13 January 2005 |
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2005 |
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Beck’s Futures 2005, artrepublic,com, 22 March 2005 |
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2005 |
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Beck’s Futures, ID, May 2005 |
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2005 |
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Beck’s Futures, Metro Life, 08 April 2005 |
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2005 |
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Beck’s Futures 2005, Scotland on Sunday, 29 May 2005 |
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2005 |
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Beck’s Futures, The Times, 09 April 2005 |
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2005 |
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Brit Art: the Next Generation, The Independent, 1 December, 2005 |
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2005 |
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Drinks News, Night Magazine, 01 April 2005 |
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2005 |
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Exploring the concept of form and space, Exmouth Journal, 05 May 2005 |
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2005 |
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Future Greats, Art Review, December 2005 |
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2005 |
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In the balance, Art Newspaper, February 2005 |
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2005 |
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In Pictures: Beck’s Futures finalists, BBC News, 15 March 2005 |
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2005 |
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Openinmg this week, Metro Life, 18 March 2005 |
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2005 |
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Pick n Mix, Attitude, March 2005, p106 |
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2005 |
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Pick of the month, Arena, 01 April 2005 |
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2005 |
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Six Scent Success in Richest Arts Awards, PA News, 26 April 2005 |
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2005 |
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£26,000 Prize for Artist who leaves critics ‘baffled’, PA News, 26 April 2005 |
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2005 |
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When does a sound become art?, Art Review, Volume LVI, May 2005, p74-77 |
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2004 |
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Brown, Jonathan, Beck’s Futures shortlist abandons the sensational for ‘more serious’ artworks, Independent.com, 17 December 2004 |
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2004 |
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Bussel, David, Critics’ Picks: Closeup Gallery, Artforum Online, November, 2004 |
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2004 |
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Edward, Rhiannon, Scot based filmmaker Shortlisted for the Beck’s Future art prize, The Scotsman, 18 December 2004 |
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2004 |
|
Higgins, Charlotte, ICA Unveils art prize shortlist, Guardian.com, 17 December 2004 |
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2004 |
|
Lafuente, Pablo, Daria Martin, Art Review, Volume LIV, December 2004 - January 2005, p102 |
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2004 |
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Low, Valentine, Corridor Shorlisted for Art Prize, Evening Standard, 17 December 2004 |
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2004 |
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Miller, Phil, Dark Art of Urquart wins place on Becks prize shortlist, Glasgow Herald, 18 December 2004 |
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2004 |
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Pethick, Emily, London Picks: In the Palace at 4 am Artforum Online, July, 2004. Palace Evolution, Time Out, 28 July-4 August 2004 |
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2004 |
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Plender, Olivia, On Daria Martin, Untitled, Spring 2004, p14 - 19 |
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2004 |
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100 Artists See God, Independent Curators International, New York, p100 - 101 |
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2004 |
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Art Now and Then, Tate Britain, London, p56 |
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2004 |
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Roy, Sanjoy, Moving the Goalposts, Contemporary, issue 66, October, 2004, P32 – 35 and cover |
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2004 |
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Becks Futures Shortlist Announced, artforum.com, 17 December 2004 |
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2004 |
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Jabba slugs it out for £20,000, Metro, 17 December 2004 |
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2004 |
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Short List for Beck’s Futures 2005 Announced, artdaily.com, 20 December 2004 |
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2004 |
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Star Wars Inspires Art Shortlist, bbc.co.uk, 17 December 2004 |
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2003 |
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I Moderni/ The Moderns, Castello di Rivoli, Turin, p135 - 140 |
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2003 |
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Bosco, Roberta, Quienes son los modernos?Babelia, 03 May 2003 |
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2003 |
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Castello di Rivoli Museo d’Arte Contemporanea, e-flux, 04 October 2003 |
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2003 |
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Chrietov-Bakargiev, Carolyn, The Moderns, TK_eventi, 16 April 2003 |
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2003 |
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Cordero, Jacaopo, Tris Espositivo al Castello di Rivoli, culturalweb, 14 March 2003 |
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2003 |
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Curto, Guido, I Moderni al Castello, Torino Sette Settimanale di spettacolo, cultura e tempo libero, 11 April 2003 |
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2003 |
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Dyer, Richard, News: London, Contemporary, Nº55, 2003, p14 - 16 |
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2003 |
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Espanet, Luisa, Labirinti Elettrici,Gulliver, 3 March 2003 |
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2003 |
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Fanelli, Franco, Moderni si, modaioli no: chi sono gli artisti della generazione post Twin Towers, Il Giornale Dell’ Arte, No. 220, 03 April 2003, p12 |
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2003 |
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Kedzierski, Roberta, Revelling in Beauty at Rivoli, Hello Milano, May 2003 |
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2003 |
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Maggiorelli, Simona, La mostra “I moderni al castello di Rivoli, Europa, 05 April 2003 |
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2003 |
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Milano, Skira, I Moderni / The Moderns, cerca cultura, 07 April 2003 |
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2003 |
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Passarella, Sabrina, Un salto oltre il modernismo, Luna Nuova, 15 April 2003 |
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2003 |
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Per Mostre, Andar, Il villaggio dell’arte e aperto, La Stampa, 26 April 2003 |
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2003 |
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Polla, Barbara, Daria Martin and the Modern Pentathlon, Citizen K, Paris, Winter 2003-2004, p68, 362 |
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2003 |
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Rangoni, A. Giovanni, I Moderni, Piu..., March 2003 |
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2003 |
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Roselli, Roberto, La modernita emergente a Rivoli, Mil Ano Arte, 16 April 2003 |
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2003 |
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Rovera, Valentina, I moderni in mostra, Torino Magazine, No. 58, May 2003 |
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2003 |
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Scardim, Gabi, Guida al Maniero del futuro, Il Sole 24 Ore, 27 April 2003 |
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2003 |
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Sgarbi, Vittorio, Per Dimenticare la noia del Post-Modern, Grazia, 20 May 2003 |
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2003 |
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Viliani, Andrea, Daria Martin, (review), Flash Art International, Milan, October, 2003, p124 |
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2003 |
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Appuntamenti Torino Always on the Move, May 2003 |
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2003 |
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Contemporanei? No, Moderni, La Repubblica, Rome, April 5, 2003, p65 |
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2003 |
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Due Mostre, Ansa, 15 April 2003 |
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2003 |
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I Moderne / The Moderns, Lettera Dei Musei, 13 April 2003 |
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2003 |
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‘I Moderni’ in mostra al Castello di Rivoli fra musica e arte, Zero Nove, 14 April 2003 |
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2003 |
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Il Castello torinese dei Moderni, il Manifesto, 12 April 2003 |
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2003 |
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In Mostra,Grazia, 04 March 2004 |
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2003 |
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I Modernio / The Moderns, Go Spark, April 2003 |
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2003 |
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I Moderni / The Moderns, extrart, 11 February 2003 |
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2003 |
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L’Arte & Il Sapere, La Gazzetta Web, 19 February 2003 |
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2003 |
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Lightbox 2, Art Now Tate, 2003 |
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2003 |
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Castello di Rivoli, tema celeste, March 2003 |
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2003 |
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Moderni, Arata Isozaki, Janet Cardiff, Giorgia Fiorio, Alessandre Testi, Torino Sette, 23 March 2003 |
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2003 |
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Rivoli, ExhibArt, 15 May 2003 |
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2003 |
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“The Moderns” e “Electric Labyrinth” al Castello di Rivoli, Portfolio Italia, 10 April 2003 |
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2003 |
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The Moderns I Moderni, Torino, March 2003 |
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2002 |
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Cattelan, Maurizio, curator, Charley 01, New York, Spring 2002 |
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2002 |
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Lafuente, Pablo, A room of their own, Artreview, London, November 2002 |
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2002 |
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Pierini, Esther, Birds, frieze, London, April 2002, p103 |
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2001 |
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Rimanelli, David, First Take: Daria Martin, Artforum, New York, January 2001 , p127 |
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2001 |
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Tirana Biennale, National Gallery, Tirana, p275 - 275 |
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2000 |
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Cotter, Holland, Sentimental Education (review), The New York Times, New York, July 14, 2000 |
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2000 |
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Rimanelli, David Top Ten of 2000, Artforum, New York, December 2000, p120 |
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2000 |
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Saltz, Jerry, Realm of the Senses, The Village Voice, New York, July 6, 2000 |
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