 |
|
|
|
|
|
|
|
|
|
|
Sharon Lockhart Biography
|
|
|
|
|
|
|
|
|
|
|
|
1964
|
|
Born in Norwood, Massachusetts
|
|
|
1999
|
|
Individual Artist Grant, City of Los Angeles Cultural Affairs Department
|
|
|
2000
|
|
Rockefeller Foundation Film/Video/Multimedia Fellow
|
|
|
2000
|
|
Japan Foundation Grant
|
|
|
2001
|
|
John Simon Guggenheim Memorial Foundation Fellow, Film Making
|
|
|
2002
|
|
Creative Capitol Grant Alpert Award in the Arts nominee
|
|
|
|
|
Education: San Francisco Art Institute, CA, B.F.A and Art Center College of Design, Pasadena, CA, M.F.A.
|
|
|
|
|
Lives and works in Los Angeles, California
|
|
|
2008 |
|
“Sharon Lockhart,” Kunstverein, Hamburg, Germany |
|
|
2006 |
|
Hollywood Is A Verb, The Broad Art Foundation, Santa Monica, CA |
|
|
2006 |
|
All The Best: The Deutsch Bank Collection and Zaha Hadid, Singapore Art Museum Glass Hall, Singapore |
|
|
2006 |
|
Blind Date Seligenstadt: New Acquisitions of the Deutsche Bank Collection, Altes Haus, Seligenstadt, Germany |
|
|
2006 |
|
Why Pictures Now: Photography, Film, Video Today, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna |
|
|
2006 |
|
Zones of Contact: 2006 Biennale of Sydney, Centre for Photography, Sydney |
|
|
2006 |
|
Work Zones: Three Decades of Contemporary Art From San Francisco Art Institute, San Francisco Art Institute, San Francisco, CA |
|
|
2006 |
|
"Pine Flat," Walker Art Center, Minneapolis, Minnesota. Travels to Barbara Gladstone Gallery, New York; Blum & Poe, Los Angeles, California; Arthur M. Sackler Museum, Harvard University, Cambridge, MA; Museu Do Chiado - Museu Nacional de Arte Contemporânea, Lisbon; neugerriemschneider, Berlin (solo) |
|
|
2006 |
|
Sharon Lockhart, Sala Rekalde, Bilbao, Spain |
|
|
2005 |
|
Sharon Lockhart, Fogg Art Museum, Cambridge, Massachusetts; Bilbao, Spain; GioMarconi |
|
|
2005 |
|
Southern Exposure, Museum of Contemporary Art, San Diego, CA |
|
|
2005 |
|
Frontiers: Collecting the Art of Our Time, Worcester Art Museum, Worcester, MA |
|
|
2005 |
|
En attente, Casino Luxembourg, Luxembourg |
|
|
2005 |
|
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy |
|
|
2005 |
|
Collection Exhibition, Walker Art Center, Minneapolis |
|
|
2005 |
|
Galerie Martine Aboucaya, Paris |
|
|
2005 |
|
In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo, NY |
|
|
2005 |
|
Shadowland: An Exhibition as a Film, Walker Art Center, Minneapolis |
|
|
2005 |
|
An Aside: Selected by Tacita Dean, Camden Arts Centre, London; The Fruitmarket Gallery, Edinburgh; Glynn Vivian Art Gallery, Swansea, Wales |
|
|
2005 |
|
De wereld deugt, wijzelf helaas wat minder/At Years End, Rethinking The Family of Man, De Appel Foundation, Amsterdam |
|
|
2005 |
|
Universal Experience: Art, Life, and the Tourist’s Eye, MCA, Chicago |
|
|
2005 |
|
Recent Acquisitions: A Selection: 2003–3004, The Metropolitan Museum of Art, New York |
|
|
2005 |
|
Southern Exposure, Museum of Contemporary Art, San Diego |
|
|
2004 |
|
Neuger/Riemschneider, Berlin |
|
|
2004 |
|
Tomio Koyama Gallery, Tokyo |
|
|
2004 |
|
Fabric Workshop and Museum, Philadelphia |
|
|
2003 |
|
Barbara Gladstone Gallery, New York |
|
|
2003 |
|
Blum + Poe, Los Angeles |
|
|
2001 |
|
“Interview Locations / Family Photographs,” Blum & Poe, Santa Monica, CA |
|
|
2001 |
|
“Sharon Lockhart,” Museum of Contemporary Art, Chicago (Travelling) |
|
|
2001 |
|
“Sharon Lockhart,” Museum of Contemporary Art San Diego, CA (Chicago Exhibition) |
|
|
2000 |
|
MAK Center for Art and Architecture, Vienna, Austria |
|
|
2000 |
|
Barbara Gladstone Gallery, New York |
|
|
2000 |
|
Wako Works of Art, Tokyo |
|
|
1999 |
|
Kunsthalle Zurich, Switzerland |
|
|
1999 |
|
Kunstmuseum Wolfsburg, Germany |
|
|
1999 |
|
“Sharon Lockhart,” Museum Boijmans van Beuningen, Rotterdam, The Netherlands |
|
|
1999 |
|
“Maria da Conceição Pereira de Souza with the Fruits of the Island of Apeú-Salvador, Pará, Brazil,” Pitti Immagine Discovery, Florence |
|
|
1999 |
|
Galerie Mot & Van den Boogaard, Brussels |
|
|
2008 |
|
Bec,k Hubert and Günter Engelhard, Index: Fotografie, - DZ Bank Sammlung Im Städel |
|
|
2008 |
|
Museum, Hatje Cantz Verlag, Ostfildern, 2008 |
|
|
2008 |
|
This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, 2008 |
|
|
2008 |
|
Role Models: Feminine Identity in Contemporary American Photography, National Museum of Women in the Arts, Washington, D.C., 2008 |
|
|
2007 |
|
Timer: Intimacy, Ed. Gianni Mercurio and Demetrio Paparoni, Skira Editore, Italy, 2007 |
|
|
2007 |
|
Gielen, Denis, Atlas of Contemporary Art For Use By Everyone, Musée des Arts Contemporains au Grand-Hornu, Belgium, 2007 |
|
|
2007 |
|
Brasil Des Focos, Banco do Brasil, Brasil, 2007 |
|
|
2007 |
|
New Prominent Image Art: The Practice of 32 Foreign Artists, Grand Vision, Japan, 2007 |
|
|
2007 |
|
Volksgarten: Politics of Belonging, Walther König, 2007 |
|
|
2006 |
|
No. 1: First Works by 362 Artists, Ed. By Francesca Richer & Matthew Rosenzweig, DAP, New York |
|
|
2005 |
|
Sharon Lockhart: Pine Flat, Sala Recalde, Bilbao, Spain, Art Now Vol 2, Taschen, New York |
|
|
|
|
|
Links to further information |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|